Catholic – Page 2 – Boy Outa Brooklyn

Mongolian Porn Conquers Milwaukee

Billboard - Beautify America - Get a Haircut — **Everyone was after my scalp!**

Dilemma: I viewed the citizens of Milwaukee as my tribe – transplanted, Brooklyn stoop-sitters. But, they viewed me as a recruiting officer for the Viet Cong.

Solution: I had to change how Milwaukee saw me. I had to shave my beard. I had to cut my hair.

I loved my shaggy self, but I was hungry, broke and beaten. So, when a movie theater offered me work as an usher, but only if I took a haircut, I took a haircut. The barber howled with glee as he hacked away at my freaky flag while his waiting customers pointed and giggled at my humiliation. It was the most painful haircut I have ever taken and the worst. But, it worked. It made me invisible.

The duplex movie house that hired me was in downtown Milwaukee. Downstairs it ran Julie Andrews musicals while upstairs it screened what passed for porn in Catholic Milwaukee. Back in Sheboygan, I had seen the movie Goodbye, Columbus. When Ali McGraw dove naked into a swimming pool a celluloid X covered the entire screen. Nude scene over – the X disappeared. I was one shocked New Yorker. The locals didn’t even blink. But, Milwaukee was more sophisticated than Sheboygan. In fact, we screened the world’s only Mongolian soft-core porn film and that classic was held over for weeks.

Vintage photo of Mongolian women in traditional dress — **Linda Lovelace eat your heart out!**

So, downstairs it was all little old ladies in hats and upstairs it all was dirty old men in trench coats. Oh, and the Vice Squad. They were upstairs a lot, especially for the Mongolian porn. They needed multiple viewings to fully grasp the depth of the film’s decadence. They’d push past me with a quick flash of the badge and a quick grunt of “Vice.” When I was bored, I’d tear the cinemagoers tickets and send the cinemagoers to the wrong cinema. I did so enjoy imagining their confused faces as they waited for Julie Andrews to break out of her bra and the naked Mongolians to break into song.

I also had to skulk around both cinemas, flashlight in hand, ensuring that no one had their feet on the seats or was smoking in the “No Smoking” section or jerking-off in the “No Jerking-off” section. You gotta watch those little old ladies every minute!

Boy Outa Brooklyn a murder-memoir by Jack Antonio
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn — Available as a paperback and eBook amazon.com
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn

Zorro Was Here

The template for scatological terror

Like most boys, certainly Brooklyn stoop-boys, I had an early fascination with excrement. I especially loved poo jokes – most boys do. It’s not pathological and it passes. (See, I’m an adult now and didn’t draw your attention to that cheap pun.) But, there are male children, mercifully few in number, who display early signs of an unhealthy fixation with the natural, nay, essential bodily function of evacuation. As example, allow me to present –

The Case of the Catholic Coprophile

The Adventures of Zorro is the big TV hit of 1957-59. Zorro is the Robin Hood of Old California. Our hero uses his glistening rapier to carve his calling card – a large Z– into the bark of trees, the walls of haciendas and the bellies of his enemies. Every Brooklyn kid wants a Zorro mask, cape and sword. Spoiled kids have all three. The rest of us improvise or beat up the spoiled kids for their Zorro booty.

One boy in St. John the Pederast Primary School is painting large Zs all over the school walls – with his excrement. (It must be a boy because girls and nuns would not do this.) When I say all over, I mean, all over. The young defacer is a genius of product placement. You cannot miss his mark. “Mr. Maximum Visibility.” On some walls, he writes a simple Z; on other walls ZORRO. But, time and quantity of material permitting, he writes Zorro Was Here adding a large, insouciant Z under that for good measure.

But, why? When? How? We students are almost never allowed out of our classrooms alone. Could the demented graffiti artist be our hunchback janitor who looks like Quasimodo and wears an immense, Johnny-Ray-style hearing aid? (Several years later, he is caught spying on little girls in the toilet – echoes of Quasimodo and Esmeralda.) Is he a secret coprophile using the Zorro brand as clever cover for his twisted desire to take revenge on the world by smearing his hunchback dung on school walls? Does he derive still more perverse pleasure from having to remove his own caked-on filth?

Charles Laughton as Quasimodo — **Quasimodo wore his hearing aid in his *right* ear.**

Attack of the Blessed Virgin Mary

“Catholics also believe that the Blessed Virgin appears to mere mortals in various times, places and languages. The most famous Marian apparitions, not counting her many miraculous appearances on moldy pizza, dried toast and wet cardboard, are –

Our Lady of Lourdes (France)
Our Lady of Guadalupe (Mexico)
Our Lady of Fatima (Portugal)
Our Lady of Bayside (Queens)

“Like the Little Green Men who pilot flying saucers, Mary appears only to illiterate, poverty-stricken, scrofula-ridden peasants who sleep with their livestock. Hence, her appearance in Queens. There is a theory that the BVM is, in fact, the occupant of a UFO misinterpreted by Catholic shepherds in the only way that makes sense to them – ‘Hey, Esteban, look, up in the sky! It’s a bird. It’s a plane. It’s the Virgin Mary.’

Movie poster of Invasion of the Saucer Men

BVM or BEM – coincidence? You decide.

Boy Outa Brooklyn a murder memoir by Jack Antonio — Available as a paperback and eBook
amazon.com
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn

The Curse of Christine Keeler

Poster for Hammer horror film - The Curse of Frankenstein (1957) — Classic *monstah pitchah*

The Curse of Frankenstein jump started my interest in all things English, especially English knockers. Puerto Rican girls were sexy but I expected them to be since they wore hot socks and had hair on their cha-chas from birth. English girls were sexy coz they weren’t supposed to be but especially coz they talked good. The fact that a woman could speak like the Queen and fuck like a spic drove me and my friends crazy.

Our obsession reached fever pitch with the Christine Keeler scandal in 1963. We were still sitting on the stoop but were now sitting atop fully descended testicles. We loitered there at night waiting for the next day’s tabloids to be delivered to Rocco’s Candy Store. We smelled the headlines coming over the Brooklyn Bridge then raced each other down the block to get our hands on the photos of Christine and her sidekick Mandy Rice-Davies. These two young women – English women, actually DID IT and didn’t think it was matter for Confession. We punched each other black and blue in debates about which of the pair was sexier. Most of us chose Mandy coz she was a blonde. No lie – no movie or documentary ever came close to capturing the level of interest the Profumo affair held for the pubescent boys of Brooklyn.

Mandy Rice Davies and Christine Keeler — *Doity* English girls who DID IT

The Curse of Hammer Horror Honeydews

Yutte Stensgaard in Lust for a Vampire (1971) — **Hammer Horror Honeydews**

In 1957, the year I made my First Communion, the Devil popped up on my shoulder at the movies as I watched the English “monstha pitchah” The Curse of Frankenstein. He jabbed me and whispered, “Pssstt. Hey, kid, check out da bazooms on dat babe sittin’ next ta ya!” I turned my head and saw a teenage honey “making out” with her pimply boyfriend. He was rounding Second Base and heading for Third. She was squirming around inside a tight, low-cut blouse. She had long black hair all the way down her back. None on top of her head. Just all the way down her back. (Sorry – Brooklyn joke. I couldn’t resist.) Her lush black ringlets cascaded to her shoulders. She had gold hoop earrings and insolent, red lips. She might easily have been Puerto Rican. And, damn, I’d left the mozzarella at home! This torrid teen may have been spoken for but thanks to her heaving-honeydews and the heaving-Hammer-honeydews on the screen, I was one randy seven-year-old packing a pocket-rocket.

Possibly Lysette Anthony in Hammer horror film — **Another near occasion of *sinematic* sin.**

Brooklyn Tribes

Shamrock Bar and Grill — **Typical Irish-Brooklyn watering hole**

The Italian Grandmas and Grandpas live on the ground floors of the fire-escape-covered tenements while the families of their married sons are stacked on the floors above. The Polish and Irish families in the neighborhood prefer to live near but not on top of each other. Polish and Irish life revolves around the bars found on every corner. The Polish bars are all named The White Eagle and the Irish ones are all named The Shamrock.The men who drink in the former are all named Stosh and the men who drink in the latter are all named Mick. The Italians drink Guinea Red at home, so it is the Polish and Irish kids who have to stand outside those bars yelling to their drunken fathers that it’s time to come home. And, it is those Polish and Irish fathers (and often mothers) who stagger home and throw pennies to us kids sitting on the stoop or fall down as they try to jump rope with the girls or play stickball with the boys.

Kids playing in a Johnny Pump — **The Brooklyn Riviera**

The Wines of Brooklyn

The Italian Grandpas in my neighborhood raise chickens in their yards and pigeons on their roofs. Grandpa Falco fattens and slaughters Thanksgiving turkeys in his basement where I visit the doomed birds before they go under his ax. Every fall, the Grandpas pool the grapes from their backyard arbors to produce a wine called “Guinea Red” – used to unclog toilets, eat rust off cars and quiet colicky babies. Every week, the Italian Grandmas cover every piece of furniture in their apartments with bed sheets, then cover every inch of those sheets with homemade ravioli in preparation for Sunday lunch. (These peasant women effortlessly transform their homes into ephemeral “pasta-art” installations that pre-date conceptual art by decades!)

Brooklyn Boy

Stickball in Brooklyn in the 1950s and 1960s. — **Hittin’ a *Spaldeen* three sewers with a broom handle.**

I’m a Brooklyn boy. Born dead center in the 20^thcentury – 1950 A.B. That’s Anno Brooklyn. In my Brooklyn, green canvas awnings shade the storefront windows and a glass globe filled with blue water swings over the pharmacy door. The butcher has sawdust on his floor and the grocer has a straw boater on his head. Kids are nicknamed Butch, Spike and Bruiser. (And, these are the girls!) Red and white striped poles twirl in front of the competing barbershops of Angelo and Nick. Angelo is humorless, maybe because he has a concentration-camp tattoo on his arm. But, Nick has a devil-may-care manner and sports the pencil-thin mustache of a gigolo.

It is in the mirrored, macho salons of Nick and Angelo that I learn how to be Homo Brooklyn. No, not that type of homo. (Whata you a wiseguy?) I mean a real Homo. A man’s man. A mensch. It’s where I learn the hard-but-fair rule of life – “If you leave, you lose your turn.” It’s where I learn to dismiss all current baseball players as overpaid pussies not worthy of carrying the jockstrap of Saint Joe DiMaggio. It’s where I learn the permitted hairstyles for Homo Brooklyn– Baldy, Flat Top and Elvis. It’s where I learn to distinguish between the after-shaves Bay Rum, Old Spice and Aqua Velva; and learn the proper application of Dixie Pomade – a hair goop thicker than axle grease. In Angelo’s and Nick’s, I ogle true-crime magazines –

I Escaped the Vampire-Nympho of Newark!

And Hollywood gossip-rags –

I Escaped Tinseltown’s Nympho Pajama Party!

And men’s-adventure journals –

I Escaped the Lair of the Lesbian Nazi-Nympho!

Most importantly, I learn how to hide “dirty” magazines like Gent, Dude and Dapper inside the covers of The Saturday Evening Post. When Nick and Angelo catch me, they threaten to tell my mother and give me a Baldy. But, I always spot a twinkle in their eyes as they shake their razor strops at me.

Vintage men's magazine cover — **Brooklyn barbershop literature**

____________________