I met Don in 1969 in an off-off-Broadway theater buried in a supermarket basement on the lower West Side. The proximity of the stage to food made it a magnet to the largest cockroaches East of the Sun and West of 8th avenue. We actors developed the ability to smash the creepy critters mid-soliloquy without breaking our iambic pentameter rhythm or the audience noticing.
To be or not to be,
STOMP
That is the question.
It was my first acting job. I landed it right after I landed in New York from Milwaukee, Wisconsin where I’d been evading military induction, aka the Draft. I touched down; bought a showbiz paper at the first newsstand I passed and saw this audition notice –
Spear-carriers needed for Macbeth
No Pay
Like Gene Kelly in an MGM musical, I raced to the theater with luggage in hand. I’d like to say it was a straw suitcase but it was a duffel bag. I’d like to say I auditioned on a large stage facing red velvet seats but it was in a filthy hallway facing cases of Velveeta cheese. I’d like to say I auditioned for David Merrick but it was for Mark Fink. I’d like to say I had his undivided attention but he read his mail. I’d like to say he wasn’t a married queer on the prowl but he was.
Fink leered to me that I had a touch of genius but that we must keep that a secret lest it spread jealousy in the ranks of the spear-carriers. He used the same line on all the spear-carriers. And, you’ll notice it’s the same line used by Professor Pervowitz. But, unlike that creep, Fink never asked me to masturbate at his feet while saying I was his bitch-slut-cunt. Fink just tried to suck my cock. When I resisted, he reverted to that hackneyed homo ploy, “What are you afraid of finding out?”
Hmmnn… maybe there’s a Showbiz Scumbag College where they learn these seduction techniques.
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
Boy Outa Brooklyn 