
Lynda was slogging through a series of bottom-feeder jobs, too. No surprise that we needed extra income to pay our rent. So, we converted half our loft into a rehearsal space and rented it to every NOHO-SOHO “boho” who ran classes, conducted seminars, held séances, burned incense, massaged feet, manipulated skulls, channeled angels, cleansed auras or chanted om, aum, or papa oom mow mow. Honest to God, we rented to a troupe of world-famous tap dancers and a troupe of not-so-famous whirling dervishes. That was the last straw for our downstairs neighbor – Fu Yu. He was a world-famous photo-realist painter who worked ever-so-meticulously with an airbrush on his wall-sized paintings of female torsos. (Now, ya ask me, if ya seen one wall-sized, photo-realist female torso… but… what do I know?)

Fu Yu was mega because along with cocaine, punk and disco, photo-realism was all the rage in the soulless Seventies. But, all that whirling and tapping upstairs shook the building and shook Fu’s airbrush all over his torsos downstairs. When this happened (And, it happened lots.), he would storm upstairs and bang on our door like the long-suffering Mr. Yunioshi who lived downstairs from Audrey Hepburn in Breakfast at Tiffany’s. (Yeah, yeah, I know, Yunioshi is Japanese and Fu Yu is Chinese. Don’t get me started again on the Yellow Peril.)

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