Porno at the P.O.

Man screaming in a straight jacket
Suiting up for another graveyard shift at
the Grand Central Station P.O.

The Christmas blues of 1970 morphed into the January blues of 1971. I and my fellow “cultural casualties” of the 1960s having dropped out of college and dropped far too many psychedelics were facing the prospect of a lifetime of blue-collar work in the Post Office. Yeah, yeah, it was a job-for-life with uniform and pension but not quite what we had envisioned for ourselves just a few years before. Back in college we were going to be actors, writers, musicians, poets, painters, philosophers even. But, the luster had faded from our Age of Aquarius fantasies as it had from the few sorry strands of Christmas tinsel that hung from atop the mail sorting coops. 

We were a motley crew but not without our talents and charms. Alex was a half-assed genius and chess master. Mark was a poet and literate in Latin. Murray was a killer wit and killer blues guitarist. Sandy was trying to decipher the hidden codes in Dylan’s lyrics. And, Charles, our only Black member, was trying to convert everyone at the Post Office to 7th Day Adventism and vegetarianism. We were all from working class families and had discovered to our shock and horror that unless something miraculous happened we would not escape the gravitational pull of our caste. So, we embraced our fate. 

Vintage Soviet poster of worker at anvil with sledgehammer
Our new self-image and style

As if on cue and without any spoken agreement, we took to wearing plaid, flannel work shirts, tattered jeans, garrison belts and battered work boots. We cut our freakish hair back to a moderately radical length. Less Woodstock. More Workers of the World. We trimmed our facial hair to Lenin length. And, we embraced the Grateful Dead’s album Workingman’s Dead as if it were written only for us. After all, we were nothing if not workingmen.   

Album cover of Workingman's Dead by the Grateful Dead
A great album even if you’re not working.

One of the worst aspects of being a trainee mail-sorter was that we weren’t guaranteed hours. If the mail dried up we were sent home. And, this often happened shortly after we had clocked on for our graveyard shift. There we’d be in midtown Manhattan at Midnight having planned to be up all night and having ingested amphetimines to help us be up all night but suddenly with no reason to be up all night. Luckily, Alex lived in a nearby East Side tenement so we’d pick up some munchies and beer and head over to his pad, there to smoke hash and listen to Workingman’s Dead till dawn’s early light. Or, at least, till Alex’s neighbors banged on the walls. We named ourselves the Dead Workingmen. (Okay, not that clever but we needed all the help we could get.)  

Suddenly, it became embarrassingly clear that Tony, one of our Supervisors, was madly in love with Sandy. I don’t think this burly Italian knew he was gay and he certainly wasn’t swishy in any way. But, goddamn, he was as queer as a three-dollar bill for Sandy. Lovesick Tony was eager to demonstrate to Sandy how powerful he was by how many favors he could do for him. One big problem. If he gave Sandy a break he had to give it to all of the Dead Workingmen or his cover would be blown. We teased Sandy mercilessly about his conquest but he still generously connived to use his charm over Tony to the group’s advantage i.e. without “coming across” for the Italian Stallion, Sandy kept him sweet on our behalf.  

Heart tattoo on man's bicep
“Hey, I love you, Sandy.
You got a problem wit dat?”

Some nights Sandy would persuade Tony to let us get lost for a few hours. We’d head over to Alex’s while still on the clock and then sneak back in at 8AM to punch out. Some nights at Sandy’s behest Tony would let us hide and sleep on the filthy mailbags piled out on the loading dock. Other nights he’d put us on parcel sorting duty – a welcome break from the din and dementia of the sorting coops. We’d stand before rows of open mailbags and practice our basketball jump shots tossing boxes into the bags. Sometimes we even read the addresses and aimed for the right mail bag. Sometimes we even made a basket. But, truth to tell, we didn’t give a shit. We had come to hate the mail itself. Mark once tickled his throat until he vomited into the tray of mail he was sorting. (I know, I know, disgusting. But, you gotta understand that 99.999999% of the mail we were sorting was junk mail. And, the rest was going to Reverend Ike!) 

Time Clock Confidential

Workers at factory time clock
“Oh yeah, punch this.”

I don’t know if anyone actually punches a time clock anymore. But when I first joined the world-of-work as a teenager, I was angered by the demeaning nature of this act. I was even more angered by the grown-ups who loitered by the time clock waiting for it to tic to a specific second so they could get a few paltry shekels more in their meagre pay envelopes. I was embarrassed for them and hated how they compared stories of time clock victories and defeats and of famous “time clock jockeys” of yesteryear. The Post Office was full of these lifers who stared in amazement and clucked with disdain as I strode past them and punched out without even looking at the hour hand. Wage slaves. Not me.

Vintage photo of young boys cleaning factory machines
The Dead Workingmen hard at work.

Meanwhile back at the Tony-Sandy love affair things became waaaay too strange and sad for this trainee mail-sorter. It happened one night when members of the Dead Workingmen were surreptitiously tapped on the shoulder and told to report to Tony’s office. There we discovered the other invited guests were the usually unfriendly Supervisors. Tony had set up a movie projector and hung a sheet on the wall. He greeted us conspiratorially then locked the door, turned off the lights and showed us a stag movie i.e. the type of fuck-film that was usually confiscated if sent in the U.S Mail. I wondered if this film had been caught by an eagle-eyed postal dick and turned over to Tony. 

Vintage magazine ad for Stag Movies

As the silent, grainy, 8MM black and white film unspooled on the stained sheet, the air in the room became noxious with nervous laughter, unfunny quips and cigar smoke. We’d been invited to a classic “smoker.” The film showed a singularly unattractive couple reclining on a singularly uncomfortable table and fucking in a singularly unenthusiastic manner. Watching their coitus was as erotic as watching the piston action on a Ford V8. But, I sensed that a bizarre male-bonding ritual was at play. The Supers wanted to show us that they weren’t such bad guys after all. Hey, they were like our fathers and uncles – just a bunch of older working-class fellas who liked watching fuck-films with a bunch of younger working-class fellas. This secret screening was an olive branch extended across the generations and a sort of test.

Would we make the grade and join their ranks of Merry (albeit horny) Mailmen?

Also, except for Charles, we were all White as were the Supers. I sensed they wanted to find racial solidarity with us since they spent so much time with obese Black women with whom they shared little cultural interest. Least of all watching fuck-films.

I’m sure that shrinks would highlight what they’d claim was clear homo-eroticism in this sweat-lodge soiree. But, I don’t think that was what was going on with the Supers. Except for Tony. He turned on the projector, pushed me aside and sat next to Sandy. As the couple built to their inevitable climax we all watched in silence. Except for Tony. He giggled and elbowed Sandy while peppering him with questions in hushed rabid whisper. 

“You believe the size of the cock on that guy.”

“Wait. Wait. She swallows the whole thing.” 

“Look at that bush. You like hairy twat, Sandy?” 

“Hey, Sandy, you ever put it in a girl’s ass?” 

Then, after the “money shot” in which the on-screen stud splashed his semen all over his fair maiden’s belly Tony gushed – “Yeah, that’s the good part, right, Sandy?” 

The Supers must have overheard Tony’s pillow talk but they didn’t react. Meanwhile, the Dead Workingmen shared looks of amused horror. Mainly horror. Then the lunch horn barked, the lights came on and with eyes cast downward we bolted out of there muttering, “Holy shit, what the fuck was that?!”

Shortly after that night I was fired for telling an especially sadistic Supervisor to go fuck himself. The union jumped to my defense assuming that I wanted to keep my job. At the mediation meeting the union rep was dumbstruck when I told all present that the United States Postal Service could sort my job where the sun don’t shine. I thought about throwing the porn party in their faces but didn’t coz I knew that would make big trouble for Tony and the Dead Workingmen I was leaving behind.

Album cover for Johnny pay check and Take this job and shove it.
Workers of the world unite.
You have nothing to lose but your jobs.

CODA

Ten years later while walking in the middle of nowhere on Staten Island, I ran into Murray. (What are the odds?) We recognized each other even though he was now as obese as his female Black co-workers. Yes, he was still at the Grand Central P.O. but he was now a Junior Supervisor. No, he wasn’t playing guitar anymore. It was an awkward encounter and a painful one for him. Murray and I had come from similar working-class backgrounds, two Brooklyn boys who had arrived at the same point via similar paths. Then our paths diverged. I had followed my dream of being an actor. He had buried his of being a musician. We exchanged phone numbers and promised to get together. We never did. 

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
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amazon.co.uk
And as an eBook here
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Christmas in Hell

Vintage Merry Christmas card

When I was a little shaver, my mother told my siblings and I the heartwarming story of a mother with many children who had killed herself on Christmas Eve. She put her brood to bed with visions of sugar plums dancing in their heads then turned on the gas oven and laid down under the Christmas tree among the presents. That’s the way her children found her on Christmas morn. As a child, I wondered how she could bear to kill herself before opening her presents. But, with every passing Yuletide, I understood more and more why that mother had checked out in such ghoulishly festive style. 

Christmas is a burden. A time of testing. A time of taking stock. And, woe betide anyone who comes up short. The pressure to be happy is overwhelming. Everywhere there are the iconic images of Santa, sleigh bells and snow; everywhere the glowing fireplaces, twinkling trees; everywhere the perfectly wrapped presents and perfectly formed snowmen.

Vintage Christmas Card with holly border
Christmas in South Brooklyn looked just like this. Honest.

And, the U.S. Post Office is one of the major purveyors of this Christmas myth via its nostalgic stamps and “mail early” missives. So, imagine my chagrin when December of 1970 found me working at the “Christmas coal-face” aka Grand Central Station Post Office – one of the largest Christmas card sorting offices in the world. 

Vintage toy mailbox "Letters for Santa"

This was a time before emails, texting and twitter when people mailed each other Christmas cards to such an extent that the P.O. had to hire seasonal workers to handle the Xmas deluge. We sorters were buried under red and green envelopes for weeks and had to work tons of over time to make a dent in the never-ending flow. I was then living in a dreary studio in a dreary Brooklyn neighborhood without even a dreary girlfriend. Sadly, I couldn’t afford a Christmas tree to commit suicide under. (Hell, I could barely afford to pay my gas bill.) I needed the O.T. so I worked all the hours the P.O. threw at me. And, even though the Post Office closed for Christmas Day, I did have a shift on Christmas Eve. 

Vintage sign - This station will be closed Dec 25 -

That magical, candy cane night brought a heady party atmosphere to the usually grim sorting floor. The shift bosses cast off their usual Scrooge demeanours and donned elf hats and light-up reindeer horns. Most terrifying of all were the ancient workers (male and female) who stalked the sorting aisles brandishing sprigs of Mistletoe. These creeps had never smiled or spoken to me all year but were suddenly wagging their egg nog coated tongues in my direction. 

The obese Black women who were “union-job-for-lifers” had years before commandeered certain sorting aisles as their private turf and held “INVITATION ONLY” office parties in them. They jealously guarded their paper plates covered with baloney and their Ritz crackers covered with aerosol cheese while they quaffed bottle after bottle of Colt 45 and Night Train.

Sliced baloney on plate
What part of “INVITATION ONLY” don’t you understand?
Yeah, you could use this shit to write “Merry Christmas” on a cracka… er, I mean… cracker.

Meanwhile, an oldies radio station blasted the usual rock & roll “Christmas classics” on heavy rotation. It also played Air Force radar reports of a mysterious, manned flying object that was tracked leaving the North Pole and headed for New York. 

Just shoot me. 

When our 4AM lunch break came, we were called to an open area where many of us climbed atop the towering mail machinery and dangled from it like Marxists seizing the means of production. 

Charles Chaplain in Modern Times

The sadistic fat-fuck who ran this P.O. suddenly appeared in a cheap Santa suit and arm-twisted a few of the obese Black women to sit on his lap. This much racial fraternization was a rare thing in 1970s America. Cue: A rash of awkward jokes about negroes and Noel. 

Vintage Coca-Cole Santa
In the Hallmark movie version he would look like this.
Vintage creepy Santa with child
But, this was the Grand Central Post Office version.

Mercifully, several other obese Black females appeared in full Gospel choir drag to serenade us with their screeched renditions of Silent Night and We Three Kings. They finished their set with a sing-a-long of White Christmas. Cue: more forced racial jokes.

Female Gospel quartet
In the Hallmark movie version they would be great but…

Then the back to work bell sounded putting an end to this Happy Holidays horror. At the end of my shift, I headed for the subway through a deserted Grand Central Station and wondered where I could buy a Christmas tree with gas jet attached. 

Vintage Happy Holiday card
And to all a good Night!

Boy Outa Brooklyn a murder-memoir by Jack Antonio
Image: Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
amazon.com
amazon.co,uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

Postal Realism

Vintage postage stamp of mailman

Hallelujah! I passed the Post Office test with a gold star and was told to report to the massive Grand Central Station sorting office hidden behind the even more massive Grand Central Station. I quickly learned that working there was noisy, numbing, mindless, repetitive, soul-destroying drudgery. A shift was eight endless hours in a sweatshop under the blare of metal machinery, the glare of fluorescent lights and the stares of angry bosses and suspicious Black women who weren’t best pleased that a White-boy was on their patch. A White-boy who had passed the Post Office test first time. And, without special tutoring!

Sweatshop

I was shown to my letter sorting station where I sat perched on a scoliosis-inducing high stool facing pigeon coops labeled with Zip Codes – 11213, 10751, 10001 etc. Like a touch typist, I was expected to know the Zip Code coop positions by heart, grab letters from the mail trays before me and deftly flick them into the correct coops without looking. Meanwhile, the slave drivers… er, I mean… shift-bosses strode up and down the aisle shouting at me to work faster. I noticed that they never shouted at the obese Black women perched precariously on their high stools with one hand in a mail tray and the other in a bag of potato chips gossiping with the obese Black women on either side. These union-job-for-lifers occasionally tossed a piece of mail in the general direction of the coops. 

mail sorting coops
The rack… er, I mean… the mail sorting coops

Trainees had to raise their hands and request permission to pee and then had to sign in and out of the toilet room. After a few weeks on the job, I was threatened with unpaid suspension for taking too many pee breaks. But, I wasn’t going to pee or to do a line of coke. I was going to splash water on my face to stay awake. I was working the “graveyard shift” – Midnight to 8AM. And, it was pure hell. 

I would finish acting in a play downtown at 10PM then have two hours to kill before punching in at Midnight uptown. So, I’d join the other actors for a few beers and then head to work. I was never drunk but the hour and the alcohol conspired to make staying awake until 8AM a muthafucka. Round about 3AM, I would start fading and start my regular treks to the toilet. 

Zippy Zipcode

Meanwhile back at the pigeon coops… one coop didn’t have a Zip Code. It had a name. That name was Reverend Ike – a Black televangelist who had become very popular in the early 1970s. And, no foolin’, the Good Reverend got so much mail he needed his own Zip Code!

Ike sported the processed hair and wardrobe of a pimp. And, like a pimp, he was all about money. But, he was also intelligent, articulate, witty and (I still believe) genuine. (As an actor, I admire all good public speakers and Ike was one of the best. You can catch his act and his suits on Youtube. Forget Creflo Dollar and all of today’s exponents of the “Gospel of Greed” coz Ike had ‘em beat.)  

Reverend Ike
The real Godfather of REAL Soul

Ike’s God wasn’t no welfare God. Ike’s God was a Maserati, mink coat and motorboat God. Ike’s God was The God of Bling.  

I liked Ike. 

I liked him coz he wasn’t a hypocrite. He wasn’t preaching sack cloth and ashes while wearing Armani. He wanted his congregation to wear Armani, too. (Jim and Tammy Bakker later practiced and preached this same holy excess. And, Joel Osteen has become America’s top televangelist with a white bread version of Ike’s message.) But, Ike’s theology wasn’t original. It was a mish-mash of Dale Carnegie, Norman Vincent Peale and Napoleon Hill with a dash of the uber-pimp Iceberg Slim thrown in for good measure! 

Iceberg Slim
The Gospel according to Iceberg Slim

Ike had his congregation hold up and wave dollar bills while intoning, “I want money. I love money. Money is my friend.” He closed his broadcasts with a call for Love Gifts. Those were to be sent in an envelope simply addressed to –

Rev. Ike

Grand Central Station

New York , New York

The envelopes that I sorted into Ike’s coop (and I sorted lots every night!) were written in pencil, in shaky little-old-lady handwriting with many words misspelled and with backward letters. We mail sorters passed around the funnier versions. I envisioned Black little-old-ladies all over America waving their dollar bills at their TVs while intoning “I love money” then sticking the bills in an envelope addressed to “that nice young man” – Rev. Ike.

Some envelopes held nothing but coins but others held very large bills. (We held the envelopes up to the light and called out the denominations.) The bigger the bill you gave, the bigger the boat you got. Or, at least, that’s the way it was supposed to work. If your ship never came in then maybe you just weren’t gifting enough. (Okay, so Ike was a conman but he was a genuine conman – a very common character in American social, religious and political history.)    

One night I was being lectured about Aesthetic Realism by the paunchy, prematurely balding Jewish guy to my right. He was working on a masters in Philosophy at Columbia. (There were a surprising number of screwy-scholars working at the P.O. and they all had theories about everything from Bauhaus to blintzes.) This particular genius was also a homosexual and he wasn’t happy about it. He explained to me how Aesthetic Realism would cure him of his compulsion to fist anonymous members of the public in public restrooms. 

The Aesthetic Realism of Eli Siegel and the change from homosexuality

Aesthetic Realism was a psychobabble micro-cult founded by the Jewish poet Eli Siegel who claimed that he could cure queerness. Aesthetic Realism enjoyed a Nano-second of popularity in the pretentious arty-academic circles of Manhattan in the early 1970s. But, I don’t think it ever made it across the Hudson. And, it was soon surpassed by the psychobabble sensation called est which was concocted by another Jew – John Rosenberg… er, I mean… Werner Erhard. He was a conman and not a genuine one. (What is it with these Jewish conmen and their psycho-cults already? But, enough about Sigmund Freud.) 

Eli Siegel quote
Reminds me of the deep thought of that other Jewish psychobabble genius – Marianne Williamson

So… anyway… I was half-listening to my conflicted colleague while planning my next trip to the toilet and praying he didn’t follow me in when… WHAM! Mr. Aesthetic Realism was pulled off his perch, handcuffed and dragged away kicking and screaming by a pair of plain-clothes postal cops. They’d been watching him for some time and caught him sorting mail meant for Rev. Ike into his own pocket. 

There was no loudspeaker announcement acknowledging what had just happened. The guy was simply disappeared like a Soviet dissident. At the next coffee break the Post Office grapevine passed the news that not only were we being watched from above like gamblers in a casino but there were spies working among us posing as trainees and lifers. We were slaving in the Grand Central Gulag.

Force march at gulag
Coffee break is over! Back to the coops!

And, people wonder why Merry Mailmen go postal

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park at Coney Island, Brooklyn
Available as an eBook and paperback
amazon.com
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

Going Postal

Vintage U.S. postage stamp

As the psychedelic sixties deflated into the sinister seventies, America was suddenly full of draft-dodgers, drug-burnouts and college-dropouts. They had few prospects and fewer skills. I was among their number. We “cultural casualties” wore the facial expression seen on the faces of people whose home had just been sucked away by a cyclone. It asked, “What the fuck just happened?” It asked the more terrifying, “What am I gonna do now?”

The answer for many of us was, “Take the Post Office test.”

I was among their number.  

Don’t laugh. 

The Post office was a union job, a job for life, a job with a uniform and a good pension and… and… “Jesus Christ,” I thought, “how the fuck did I get here? I’m an actor. I’m supposed to be a Broadway star. I can play a mailman not be one.” 

And, in fact, I was then starring off-off-off Broadway in a roach-infested basement in Manhattan. But, I figured I could get a graveyard shift at the P.O. that would pay my rent and leave my days free for auditions, lunches at the Four Seasons with movie stars and eight shows a week on the Great White Way. I might need this back-up job for a month or two. Tops.

Plus, like all baby-boomers I’d grown up watching The Merry Mailman on TV so I had a special affection for all things postal.  

Ray Heatherton - The Merry Mailman
He was always smiling so how bad could the gig be?

The test was held in a grubby room in an even grubbier West Side mail sorting office. As we applicants milled around outside the building waiting for the start time, I couldn’t help noticing that I was the only person there who was not Black, female and the size of a sumo wrestler.

Sumo wrestler

While these large ladies nervously ate and smoked, I nervously scanned the crowd for a friendly freaky face. Finding none, I assumed this intake of recruits was a demographic anomaly. 

Remember the first tests you ever took in school? The tests that used pictures rather than words? Brightly colored pictures? And, the few words on the page were in big size type? That’s what the test was like to gain a life-long union job with uniform and pension in the United States Postal Service.

Which of these three things does not belong with the other two? 

  • Picture of Horse
  • Picture of Cow 
  • Picture of Banana   

John Q. Public plans to sail to Bermuda. Which of these will he use to make the trip? 

  • Picture of Horse
  • Picture of Cow
  • Picture of Sail Boat

I am not a brain box. Honest. I possess very modest IQ and SAT scores. But, I aced this no-brainer test in no-time and sat there twiddling my thumbs. Suddenly, the not-so Merry Mailman running the test banged his gavel and ordered us to put our pencils down immediately. This African-American gentleman then explained in grave tones that if any of us found this test too difficult we could choose to re-take it. In fact, the Post Office had specially trained tutors who would work with worried applicants to help them pass this stringent test in a month’s time. 

Unison sigh of relief. Laughter. Test papers tossed into air. And, Whoosh! I was almost sucked out of the room in the wake of the departing multitude. 

Vintage Return to Sender U.S. Post Office stamp

Stay tuned for the next exciting instalment of Blog Outa Brooklyn POSTAL REALISM. You’ll thrill as this reporter goes undercover as a mail-sorter trainee in the Grand Central Station Post Office. New York, N.Y. 10017

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
amazon.com
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

Blackout Baseball

New York Mets logo

The evening of July 13, 1977 was hot and sticky as July nights in New York City are wont to be. Vic and I were at Shea Stadium watching the Mets lose to the Cubs when BANG the lights went out. Groans, cheers and whistles from the large crowd followed immediately by jokes.  

“Hey, Mets, pay ya fuckin’ electric bill.” 

The crowd assumed it was a power failure limited to Shea. And, the stadium was able to run dim emergency lights so we weren’t left in total darkness but more of an eerie glow. Then we were told there had been a blackout in the entire city and the groans, cheers, whistles and jokes got louder.

“Hey, Mayor Beame, pay ya fuckin’ electric bill.”

Shea Stadium in New York City blackout of July 13, 1977
It actually looked much darker inside Shea.

A hardy (and hungry) few felt their way to the concession stands to stock up on beers and dogs before they got hot or cold. Others gathered around geeky fans who’d brought transistor radios to the game. (These “transistor types” looked like they’d been dressed by their mothers who invariably supplied them with sandwiches and a thermos.) The “huddled masses” around the radios looked like actors in a Radio Free Europe commercial hungry for news from the Free World. Meanwhile, the stadium announcer kept us informed and the organist kept us entertained with a Christmas carol sing along. 

Then a few cars were driven out of the bullpens on to the outfield grass with their headlights shining toward the infield. Several players from both teams took this cue and took the field to play a phantom baseball game with an invisible ball in ghost light. They made spectacular diving catches, impossible throws and gravity defying slides. The crowd went wild!  

After an hour or so and just as the fun had begun to pall (“Okay, enough of this shit, how the fuck am I gonna get home?), we were told that transportation had been arranged and we would all be home safely and soon. We were directed to buses in the Shea parking lot that were bound for major intersections all over the five boroughs where we would be able to get on the city buses that were still running. In our many thousands, we exited the stadium in better order, humor and time than we did in daylight. No pushing. No punches. No panic.  

Vic got his bus to the Bronx but I had to get to the Bowery – the scuzziest street in the slum known as the Lower East Side of Manhattan. Walking around my neighborhood was an exercise in urban survival even in bright sunshine. The idea of traversing it in blackness did not fill me with joyful anticipation. Plus, in the summer of 1977 the city had just about bottomed out. It was not a happy place and having the serial killer known as the Son of Sam picking us off at random and at night did not fill New Yorkers with confidence. But, I couldn’t sleep at Shea so I boarded a bus that took me across many blacked out Queens and Brooklyn neighborhoods then over the Verrazano Bridge to Staten Island finally dropping me at the ferry terminal. 

From there, we “happy few” ferried across a New York harbor that was in almost total blackout – the skyscrapers of Manhattan (including the World Trade Center) were barely visible. The only bright light in the harbor was the flame atop the torch on the Statue of Liberty. It was a scene out of a dystopian sci-fi movie – beautiful but unsettling. A hush fell over we passengers as the ferry plowed by Lady Liberty and that hush enveloped us until we disembarked at the Battery. There we climbed aboard city buses already waiting to take us uptown via the main avenues. 

Statue of Liberty torch and hand under construction.
Only the flame was lit and shining, the statue was in darkness.

This evacuation and transportation of the Shea Stadium multitude was handled brilliantly. Yet, I have seen it reported nowhere! We all like to complain about government inefficiency but I gotta say that in this case NYC really nailed it. I blush to admit that I felt proud of my hometown and her people. No panic. No anger. No fights. Just cooperation and jokes. Lotsa jokes. 

I got off the bus on First Avenue and praying that the Son of Sam was not lurking nearby equipped with a night scope, I began slowly picking my way toward my loft on the Bowery. (Goddamn how do blind people do it?) I made the trek slowly with only passing headlights, flashlights and candlelight from impromptu stoop parties to guide me. I declined invitations to join those parties coz I just wanted to get home. 

Georgian dinner by candlelight.
Stoop soirée in full swing.

I did have to navigate through a few stretches of inky blackness and, this being the Bowery, I had to be careful not to trip over bums sleeping on the street. Plus, a few overly friendly creeps loomed up at me from the murk hoping to give or receive a blowjob. But, WHEW, made it home!

Bowery bum sleeping in door way
Blacked out in a blackout

A TALE OF TWO CITIES

The next morning, I went for a walk around my still powerless neighborhood where the stores and restaurants were practically giving food away. It wasn’t until late that afternoon, when power was restored, that I learned there had been widespread looting and arson in certain neighborhoods.  (Ya want numbers? – $1.2 BILLION worth of damage in 2019 dollars. 3,700 arrests – the largest number of mass arrests in NYC history!)   

Arson in the Bronx, NYC blackout of Jul 1977
Burn Baby Burn!

Since 1977, the narrative about the blackout has been all about excusing those crimes with nary a mention of the cooperation. Perhaps this is because that cooperation seemed restricted to certain other neighborhoods. The spin has been that the crimes were caused by racism. The blackout has been turned into yet another tale of poor Blacks being victimized by evil Whitey.

Looted store in NYC blackout of 1977.
Have you noticed that book stores never get looted?

Apparently, power failures are just another aspect of White privilege and the patriarchy. Apparently, it was my fault that Blacks looted and torched stores, restaurants and even their own apartment houses. It’s over forty years later and I have yet to see, hear or read a single account of the blackout (including many by foreign news sources such as the BBC) that doesn’t push this anti-White race-hustle bullshit.  

The awful truth is that when the lights went out on July 13, 1977 some New Yorkers went feral. 

The awful truth is that when the lights went out on July 13, 1977 some New Yorkers went festive.   

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
amazon.com
amazon.co.uk
And as an eBook here




Roadmap to Blog Outa Brooklyn

Thanks for visiting my blog. It is a sampler of my murder-memoir Boy Outa Brooklyn. The best way to enjoy it is to start at the first post and read chronologically. I hope you’ll find it both hilarious and horrifying.

I will also be posting about the best books, movies and songs about Brooklyn. And, sharing my practical and off-beat travel tips.

Welcome to my Brooklyn,

Jack Antonio

Available as an eBook here

And as paperback and eBook here

amazon.com

and amazon.co.uk

A Dance to Noho and Soho

Vintage print of Whirling Dervishes
At least they didn’t wear tap-dance shoes!

Lynda was slogging through a series of bottom-feeder jobs, too. No surprise that we needed extra income to pay our rent. So, we converted half our loft into a rehearsal space and rented it to every NOHO-SOHO “boho” who ran classes, conducted seminars, held séances, burned incense, massaged feet, manipulated skulls, channeled angels, cleansed auras or chanted om, aum, or papa oom mow mow. Honest to God, we rented to a troupe of world-famous tap dancers and a troupe of not-so-famous whirling dervishes. That was the last straw for our downstairs neighbor – Fu Yu. He was a world-famous photo-realist painter who worked ever-so-meticulously with an airbrush on his wall-sized paintings of female torsos. (Now, ya ask me, if ya seen one wall-sized, photo-realist female torso… but… what do I know?) 

Mickey Rooney as Mr. Yunioshi in Breakfast at Tiffany's
Fu Yu doing his famous Mickey Rooney impersonation. That Fu, such a kidder!

Fu Yu was mega because along with cocaine, punk and disco, photo-realism was all the rage in the soulless Seventies. But, all that whirling and tapping upstairs shook the building and shook Fu’s airbrush all over his torsos downstairs. When this happened (And, it happened lots.), he would storm upstairs and bang on our door like the long-suffering Mr. Yunioshi who lived downstairs from Audrey Hepburn in Breakfast at Tiffany’s. (Yeah, yeah, I know, Yunioshi is Japanese and Fu Yu is Chinese. Don’t get me started again on the Yellow Peril.) 

Boy Outa Brooklyn a murder-memoir by Jack Antonio
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as a paperback and eBook
amazon.com
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

Elegy For Irish America

Senator Joseph McCarthy
He was on to the commie-scum then and that’s why they hate him to this day.

I don’t cry on 9/11. I cry on 9/12. I cry while watching a news report about people who had escaped the Twin Towers before they collapsed. One survivor says that as he walked down fifty flights of stairs with terrified co-workers, he was amazed to see a line of firemen loaded with equipment walking up. Up! Up to who knew what? “I’ll never forget the faces of those young men,” he says. “They all had blue eyes.” 

That’s when I cry.  

Of course, they all had blue eyes, you dumb fuck. They were New York City firemen. Every real New Yorker knows that New York firemen are Irish. New York cops, too. And, plenty of them died on 9/11. They were Irish kids from the street. Irish kids from the stoop. We went to St. John’s together and served Mass together. We got ascared at horror movies together and played stickball and swapped baseball cards and wrestled on the sidewalk and gave each other fat lips and black eyes. They called me “wop” and I called them “mick.” Their fathers and grandfathers and great-grandfathers had been cops and firemen. They’d sit on the stoop and shake their Irish heads and tell me that we should have unleashed Patton. They’d take a slug from the beer they clutched in their big Irish mitts and teach me that Joe McCarthy was right. They’d warn me about pinko-commie attack that was headed our way. And, they were right! And, I wept like a sonofabitch for their kind.

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as a paperback and eBook
amazon.com
amazon.co.uk
And as an eBook here https://books2read.com/The-Boy-Outa-Brooklyn
 

Carrie and Kitty

Kitty Genovese murder victim
The face that haunts New York

I ask a man and woman who are exiting the building if they remember the murder of my friend, Carrie. The woman gasps and flees down the street. I flash on the stabbing of Kitty Genovese – the infamous case of apartment dwellers who did nothing to stop a young woman being knifed to death because they “did not want to get involved.” 

Kitty was from my Brooklyn neighborhood then moved to Queens. She and Carrie, both slim, pretty, vivacious brunettes were attacked at 3:30 AM as they returned home from parties. Winston Moseley, a Negro necrophile and serial rapist, knifed Kitty on the street. Kitty sought safety in a vestibule but Moseley found and butchered her there. He then raped what he hoped was her dead body. Moseley confessed that he’d gone out that night hunting specifically for a White woman to kill. Kitty was his racial prey. 

Kitty Genovese sitting on a stoop
Girl Outa Brooklyn sitting on the stoop

The sub-human Moseley had raped many women and killed two others before Kitty. He stabbed a fifteen-year-old to death after breaking into her bedroom. In horrible symmetry, she and Carrie were slaughtered ten years apart – to the very day.   

Winston Moseley rapist, necrophile and murderer
Every woman’s nightmare

But, as with the piano teacher-maniac who killed two actresses, Moseley escaped the death penalty on a Talmudic technicality only to then escape prison and rape two more women. Even so, liberals fought for decades to get the sadistic, homicidal, Negro necrophile paroled. (I wonder if these do-gooders planned to house him next door to their own daughters and mothers?) The good news is that the maggot Moseley rotted to death behind bars.

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as a paperback and eBook amazon.com
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

The Death of New York

Dystopian view of New York City

I visit my hometown a year after 9/11 and find it dusty, deflated and more ascared than ever. Paranoia and para-military security guards are everywhere while humor and spunk are nowhere to be found. I search for New York but it is gone. It is gone because New Yorkers are gone. The city has been stolen from the great people who forged it into the greatest metropolis ever known. But, it isn’t planes flying into unloved skyscrapers that displaces those giants who created the Chrysler Building, the Empire State Building, Central Park, the Metropolitan Opera, Yankee Stadium, Coney Island, the Bronx Zoo, Wall Street, Broadway, the Brooklyn Bridge and Green-Wood Cemetery. No. Their city has been stolen from them by a Left-Right political pincer movement like the one that dumped my insane Aunt Rosa into Times Square. 

Abandoned factory interior
New York City families were forged here.

Here is how that pincer worked – the Left flooded New York with Chinese and Hispanics who became permanent wards of the state and thus Democrat voters while the Right welcomed them as cheap labor. In the 1960s, the factory owners tried to pay their White union-workers coolie and peon wages. The Whites resisted, the factories closed and neighborhoods died. The imported Chinese and Hispanics poured into those formerly union factories that had reopened as sweatshops and they worked there for coolie and peon wages. Simple. Clever. Lethal. Just as predicted to me on the stoop.

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as a paperback and eBook amazon.com
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn