Carrie’s body was found at 5:30 AM by a milkman. Imagine. Brooklyn still had milkmen in 1973. A tenant reported hearing something at about the time of Carrie’s murder. It wasn’t a scream or a scuffle, just a “something.” There were reports of suspicious cars seen in the area but the cops checked and dismissed that angle. Remember Carrie’s street was a Dead-End so a getaway car was unlikely. No. Carrie had been followed from the subway. The cops were sure. They questioned people who’d been on her train, “See anything strange?”
No. No one had. The murderer had probably been lurking near the subway station in Brooklyn Heights. A crime of opportunity. Of impulse.
Committed in a minute.
Carried out in a frenzy.
Actress Slain
That was the headline.
Tell me I’m dreaming. This is a movie, right?
The Daily News and New York Post ran the story big. For a few days. Carrie’s smiley 8×10 photo filled their front pages. For a few days. A pretty someone I knew was a tabloid headline. A pretty someone whose death I foresaw. A pretty someone from Indiana. Slain. The streets of New York became a B-movie nightmare-montage in which I saw Carrie’s face everywhere. She smiled at me from every newsstand I passed and from every TV screen in every bar. I found her smile abandoned on subway seats. Discarded in trashcans. Thrown in the gutter.
Mayor Lindsay took a big interest in the case. For a few days. Crime and New York had become synonymous under his libtard administration. He appointed extra cops to the hunt and invited Carrie’s parents to stay in the Mayor’s mansion. I could give him the benefit of a doubt but I won’t. He felt guilty and obligated.
“Dear God,” Handsome John Lindsay whined to his campaign manager “not another Kitty Genovese, not on my watch, not in ‘Fun City’.”
Then the faces of other murdered girls pushed Carrie’s smile from the front pages and from memory.
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Boy Outa Brooklyn 