Thanks for visiting my blog. It is a sampler of my murder-memoir Boy Outa Brooklyn. The best way to enjoy it is to start at the first post and read chronologically. I hope you’ll find it both hilarious and horrifying.
I will also be posting about the best books, movies and songs about Brooklyn. And, sharing my practical and off-beat travel tips. If you enjoy my blog, please follow me. Hover your mouse in the lower right corner of the screen and a pop-up box will appear. Enter your email address and you’ll never miss one of my posts. Your address will not be sold or shared and you won’t be pestered with any sales cons.
Waaaiiittt a minute – first they told us to buy expensive masks with breathing valves coz simple masks wouldn’t stop Covid. Now they tell us to not buy masks with valves coz they spread the disease. Who’s in charge here? . . .
From its earliest days television was described as “chewing gum for the eyes” and “the idiot box” and “a vast wasteland.” All correct . . . My favorite description of TV is – “an electronic sewer-pipe in the corner of your living room.” Even the genteel NPR in the states and BBC in Britain are pumping genteel sewage into your brain. Turn ’em off . . .
Hey, if masculinity is so “toxic” why do so many lesbians pretend to be male and dress like traditional grooms . . .
And why do they pretend to be super-butch males? Doesn’t that make them super-toxic? . . .
Hey, If masculinity is so “toxic” why would any woman want to “transition” to male? Answers on a postcard . . . Another question – If male to female transsexuals are returning their bodies to a “natural” state then why do they have to insert a dildo-like plastic tube into their manufactured vaginas for several hours a day to prevent their bodies from closing up and healing what it detects as an open bleeding wound? . . .
When bluegrass bands play heavy metal and Motown music, it’s better than the originals . . . Southern, White Christian males are the only group in the world that we are allowed and even encouraged to mock . . . When people wearing Corona-masks flinch away from me, I want to beat them to a bloody pulp . . . In the 1960s, U.S. police departments came under massive Marxist attack over supposed police brutality against Blacks. The anti-Communist John Birch Society ran the counter-campaign: “Support Your Local Police and Keep Them Independent.” It made them a laughing stock . . .
Please explain this to me – The US & UK built many massive “Covid emergency centers” to handle the predicted overflow from hospitals. These facilities, boasting many thousands of beds, were unneeded and unused. They’ve been dismantled. But, hold up, from the beginning of the Covid-hoax we were warned of even deadlier second and third waves of the virus. If the powers-that-be actually believed this disaster was coming then why did they dismantle essential facilities mere months before Covid would return with a vengeance? . . . The big band leader Stan Kenton had an incestuous relationship with his daughter that lasted from her pre-teen years to young womanhood . . .
Is it me or are more female teachers banging their students these days? . . . British Prime Minister Boris Johnson is such a racial mongrel even he doesn’t know what he is . . . BoJo wants to import 3.5 million Chinese from Hong Kong at a time of unprecedented UK unemployment and economic crisis . . . Maybe our boy is Chinese, too? . . . How do the Chinese pay him off? . . .
The Empire State Building was a flop for decades and was dubbed The Empty State Building . . . Even before Corona and the riots, I knew that Trumpowitz was gonna lose the election coz the demographics were against him in Florida, Arizona and Georgia. He had the right impulse about Corona i.e. let it burn through and develop herd immunity but then he listened to President Kushner and surrendered to the hysteria. Then he listened again to President Kushner and didn’t crack down on the riots immediately. He’s making a few tough tweets now but it’s too late. He’s gonna have no convention, no rallies and no second term . . .
The spectacularly corrupt and stupid Biden will win but he will be a figurehead and so will his incompetent female Black VP whoever she is . . . America will be ruled by a cabal of Marxists with Obama pulling the strings . . . Bader-Ginsburg will resign with much fanfare and spike the football on her way out. The Marxists will get to appoint at least two other justices. Then they will abolish the electoral college, open the borders, open the prisons, pass amnesty and bankrupt the country . . . When Trumpstein appeared, I said that he wasn’t important but what he represented and who came after him were. I also said that he would fail but that his failure would be useful. It would set the stage for a genuine White Nationalist leader to emerge. This coming leader who is yet unknown will operate outside of electoral politics. He will be a strongman in the mold of Caesar or Franco . . .
During the Spanish Civil War in the 1930s more Communists were killed by other Communists than by Franco’s forces . . . Stalin saw that war as a chance to finally clean out the Trotskyites . . . The Gospel Quartets and Quintets of the 1940s and 50s were pure rock & roll, doo-wop and soul. Listen to the Swan Silvertones and the Soul Stirrers and you’ll hear it . . .
I’ve never bought any music by The Beatles or Bob Dylan . . . Cardinal Spellman of New York was called the American Pope. He was also a predatory homosexual who cruised gay bars in Gotham accompanied by famous homos of the theater. These lavender lads all favored young Black meat . . . The Cardinal was also a rabid hawk. It’s said he spent more time on his knees in Viet Nam servicing GIs than praying . . .
Tony Blair’s Labour Party promoted 24/7 drinking in pubs and widespread gambling so I guess it really did care about the health and welfare of the White working class; or was it that Blair took money from scumbags who made their fortunes by selling gambling, alcohol and tobacco to the White working class? . . . Hookers will tell you that often their johns just want to talk about their wives and children . . . The Arabic word for African is “slave” . . . Millions more Africans were enslaved by Muslim countries than by the Christian world . . .
Saudi Arabia didn’t outlaw slavery until 1962 . . . Millions more Africans were enslaved by Brazil than by the USA . . . Brazil didn’t outlaw slavery until decades after the USA did . . . Most of the slave ships and slave markets were owned and run by Jews . . . How come Black Lives Matter isn’t protesting outside Brazilian, Israeli and Islamic embassies? . . . My favorite true-crime cases are Lizzie Borden, Sam Sheppard and Jeffrey MacDonald . . .
The father of singer Harry Connick, Jr. was a New Orleans D.A. accused of covering up the JFK assassination . . . The father of actor Woody Harrelson was a Texas hitman who many believe was one of the mysterious “Three Tramps” arrested behind the Grassy Knoll on the day JFK was hit . . .
Abraham Lincoln opposed expanding slavery into the West not because he was opposed to slavery but because he was opposed to spreading Blacks further into America . . .
Lincoln’s last meeting in The White House was with Black leaders to decide how and where to repatriate or resettle the freed slaves – Africa, South America and part of Texas were considered . . .
I grew up in New York City in the 1950s – the last gasp of the Golden Age of newspaper columnists. These were the “gents room” journalists who sported trench coats and fedoras, smoked cigars and drank rye.
Walter Winchell and Jimmy Cannon were the “big beasts” whose columns brimmed with opinion, gossip, lies and even some facts. These one-finger typists wrote hard-boiled rants ripe with street smarts and sentimentality. They gave readers the lowdown on Broadway and City Hall and the straight skinny on Harlem and Wall Street.
Winchell and Cannon punctuated their column items with three dots that captured the look and rhythm of machine gun bullet holes. Like this . . .
Here then is my homage to Walter Winchell and Jimmy Cannon . . .
George Floyd was a violent career criminal and this reporter won’t miss his sorry ass one little bit . . . All women with pink hair and tattoos are skanks . . . I hate Oreos – always have, always will . . . If there’s a funnier writer in the English language than Charles Portis, I haven’t read him . . . If the world is facing an existential threat from Covid-19 then why in hell are any planes allowed to fly anywhere anytime anyhow? . . . Buddy Guy and Dolly Parton are the most charismatic live performers I’ve ever seen. No one even comes close. . .
George Floyd killed himself with a drug OD. He had enough Fentanyl in him to stop a horse and Fentanyl creates the delusion that you can’t breathe even though you can . . . The pulp crime writers Henry and Frank Kane (no relation) are better than Dashiell Hammett and Raymond Chandler. So is Ed McBain . . . The smell of flowers reminds me of death . . . Why do gay men always say “Miss” Judy Garland and “Miss” Peggy Lee?. . . Wanna know how and why the world was stampeded into Corona-panic? Read: Extraordinary Popular Delusions and the Madness of Crowds by Charles Mackay. He nailed it in 1841. That’s right – 1841 . . .
Mainstream Jewish newspapers and organizations have bragged that Antifa is a Jewish revolutionary movement with roots in the Russian revolution and that any criticism of Antifa is anti-Semitic. So… by their own proud admission the Jews are behind this attempt at a violent overthrow of the US. Blacks are just their puppets.
Cary Grant and Irene Dunne in high speed, comic-flow are as good as it will ever get . . . Climate change is a hoax designed to transfer wealth from White to Brown people . . . I’ve never met a good-looking commie – male or female . . . All Hassidic Jews smell faintly of garlic . . . Virtue signalling Whites who support Black Lives Matter should move to Gary, Indiana or Camden, New Jersey to demonstrate they are truly “down with the struggle” . . . The jazz singer Johnny Hartman was the best of the “Sepia Sinatras” but he often strayed painfully off pitch . . .
The accordion and the zither should be outlawed . . . Ben & Jerry’s ice cream is over-priced slop. Breyer’s ice cream is the best in the world . . . New Mexico policeman Lonnie Zamora didn’t see a crashed UFO in the desert. What he stumbled upon was the NASA testing of a moon landing craft . . .
The FBI infiltrated and controlled many of the UFO cults and contactee groups of the 1950s . . .
Why are male psychics almost always swishy queens? . . . All imitation meat products promoted by vegetarians taste like a miscarriage on cardboard . . .
Most of Lenny Bruce’s jokes don’t hold up but his routines about liberal hypocrisy get better with time . . .
Mort Sahl, Bruce’s main competition, was never funny or dangerous . . .
American acting never recovered from the pseudo-Freudian, method acting pushed in post-war NYC acting schools by left-wing Jews who flunked Psych 101 . . .
Montgomery Clift was the worst example of this constipated style of acting. I always want to smack him and scream, “Just say the fuckin’ line already”. . . Steve Cochran on the other hand was a terrific actor. A real hell raiser. No mamby-pamby method acting bunk in his performances . . .
The two convicted Black felons apprehended with George Floyd didn’t resist arrest and are alive . . . The FBI’s secret recording of the right-wing militia leader Joseph Milteer weeks before the JFK assassination is proof that people knew Kennedy was about to to be hit. The tapes are on youtube . . .
Simple proof of a second gunman in Dealey Plaza is the cadence of the shots reported by everyone no matter how many total shots they heard. The cadence goes… BANG… BANGBANG. There is no way Oswald could have fired his bolt action rifle twice that quickly.
Bobby Kennedy never believed the Warren Commission . . . There was a second gunman in the hotel kitchen shooting at Bobby, too . . . There is intriguing evidence linking Canada’s wealthy Bronfman family to the Kennedy and Martin Luther King assassinations . . .
Ginger Rogers was a great dancer but she was also the most underrated actress of Hollywood’s Golden Age . . . Since being turned over to Black rule, South Africa has become an ungovernable shit hole . . . The same goes for Haiti where Blacks slaughtered the Whites and mulattoes over 200 years ago. The result? Port-au-Prince is the only capital city in the world without a sewage system . . .
I don’t care what aficionados say, the Edsel was ugly . . . Lili St. Cyr was the sexiest of the old-time strippers . . .
Malcolm X was a pimp who sold Black women to White men. He then had sex with men in prison. Maybe he liked it coz his wife complained that he was a flop in bed. Most of the tough-guy exploits in his best selling autobiography are the invention of Alex Haley who later plagiarized a White man’s novel and called it Roots. Haley settled with the original writer out of court . . .
Louis Farrakhan the leader of the Nation of Islam is a Scientologist and a Mason. How does he remember which funny hat to wear and handshake to use? . . .
Leo Frank was guilty as hell. He raped and murdered Mary Phagan and threw her down an elevator shaft. Frank was a sweatshop owner, rapist and murderer. Mary Phagan was only 13 so Frank was also a pedophile . . .
The Jewish Anti-Defamation League (ADL) was founded to defend Leo Frank. Its lawyers blamed the rape and murder on two innocent Black men who worked for Frank. You won’t learn this in Parade the Broadway musical about the case or in the many biased TV movies. Hey, remind me – who controls Broadway and TV? . . .
The late Thomas Boyle was a Pennsylvania kid who spent part of his childhood in Brooklyn. (That makes him an Honorary Brooklyn Boy in my opinion.) He graduated from Cornell, earned his doctorate at NYU and taught at Brooklyn College for many years. Some book review sites confuse him with the more famous T.C. Boyle the author of many brilliant novels including The Road to Wellville – set in a 19th century health-spa and Drop City – set in an Alaskan hippie commune.
Our Thomas Boyle’s last book (published in 1990 in the midst of his crime trilogy) was Black Swine in the Sewers of Hampstead – a study of Victorian crime fiction. It sounds like the Sherlock Holmes mystery Conan Doyle forgot to write! I’ve added it to my “must read” list.
Any fan of gumshoe fiction will enjoy Boyle’s modern yet faithful reworking of the much-loved archetypes and plot devices of that often hackneyed genre.
Anyone who knows the geography of Brooklyn will get an extra kick out of Boyle’s locales. His hard-boiled tales follow Detective Frank DeSales as he chases bad guys down hidden alleys in Red Hook, across garbage strewn vacant lots in Williamsburgh and even onto the hallowed ground of Green-Wood Cemetery.
If you like Lawrence Block’s ex-cop now “private dick” Matt Scudder, you’ll feel right at home with Thomas Boyle’s active duty detective Frank DeSales. They are brothers from another mother.
I can’t find any movies or TV shows based on this trilogy which is a shame and surprising. For decades now, “All things Brooklyn” have been all the rage. Go know!
In my last blog, I wrote about everyone’s favorite vampire, Bela Lugosi and his relationship to Brooklyn or, at least, Brooklyn gorillas. In this post, I want to discuss a real Brooklyn vampire. And, I ain’t foolin’.
His name was Albert Fish and he worked as a house painter from the Gilded Age to the Great Depression. As he aged, he resembled a cuddly uncle. But, over those four decades, he abducted, raped, killed and ate children all over metropolitan New York. His work as a house painter gave him access to perfect hiding and abduction spaces like cellars, basements, hallways and sheds; and lethal access to children. Four decades. We still don’t know how many tenement kids fell into the clutches of this real live boogieman.
One such unfortunate child was four-year-old Billy Gaffney. He had lived in my neighborhood. In fact, Billy was abducted in 1927 while playing in front of his tenement no more than five minutes from my 1950s boyhood home. His body was never found because Fish ate most of it. (If you are not of squeamish disposition you can read Fish’s description of that act in excruciating detail on Wikipedia. He makes Hannibal Lecter, Freddie Kruger, Jason Voorhees, Michael Meyers and Norman Bates look like the Vienna Boys’ Choir.)
Billy’s abduction hit close to home for me (literally and figuratively) because of something that happened to me while I was playing in front of my tenement in 1957.
This was that incident…
One day, a strange man wearing dark sunglasses who was or pretended to be dumb appeared on my block accompanied by a large, menacing dog. He rang my tenement’s vestibule doorbells in an attempt to sell an obviously second-hand Mickey Mouse film projector. The Mickey Mouse Club was every kid’s “must watch” show so this projector was prime Pied Piper bait.
The stranger was quickly told to fuck off by the housewives annoyed at having been drawn away from their soap operas and quiz shows. I then inexplicably offered to take him around the corner to a neighbor I was sure would want to buy his piece of plastic crap. I trustingly placed my seven-year-old hand in his and led the way with his dog nipping at my heels.
The neighbor’s vestibule door was unlocked so I didn’t bother ringing her bell and escorted my new friend into her very dark hallway. I heard her TV blaring and knocked on her door. She answered with an angry expression that quickly changed to alarm. She told the stranger to fuck off and slammed the door. (I still wonder why she didn’t pull me inside, then slam the door and call the cops! But, maybe she wanted to get back to her soap.)
I shrugged and took the strange man and his snarling dog back out into the sunshine. As we exited the building a group of my friends shouted from the corner with obvious and uncharacteristic alarm, “Hey, Jackie, ya mother wants ya. She sez get up da house. Now!” I turned to apologize to the man but his dog bared its teeth and lunged at me. I jumped back, looked into the face of my new friend and saw that he was leering at me with an evil smile. Only then did I realize that I had broken the cardinal rule of childhood. He was a stranger. One of the strangers I’d been told not to talk to. Not to get into cars with. Not to take candy from. I was in danger. Stranger danger. With a sudden surge of fight-or-flight energy, I turned and bolted the fuck away from him and his mutt.
This incident (whether the threat was real or imagined) is why I have always been especially horrified and fascinated by Albert Fish. I can’t help wondering if Billy Gaffney also turned and saw his “new friend” leering down at him; if Billy felt the same shock of terror run through his little body as the one I can feel as I sit here typing more than six decades later.
Ironically, the sensational trial of Albert Fish was knocked off the front pages by the even more sensational Lindbergh baby kidnapping. But, I’m convinced it was not knocked from the collective folk-memory of my Brooklyn neighborhood; its shared shuddering-memory of a Brooklyn vampire who had stalked its children in cellars, basements, hallways and sheds not that many years before I played in those dark, hidden, dangerous places.
If you can stomach a disturbing but cathartic journey into the darkest of dark places then spend some time on the internet searching for Albert Fish the Brooklyn Vampire. There have been two awful movies made about Fish and countless TV documentaries and books of varying quality. I recommend the book Trail of Blood by Michael Angelella.
It was the summer of 1960 and my family was walking past Coney Island’s World in Wax Musee when the barker shouted out, “See the rapist Caryl Chessman in the gas chamber!”
“What’s a rapist?” I innocently asked my mother.
“Uh… ummm… a man who forces himself on a woman,” she flustered.
“Oh,” I replied with no idea of what she meant.
Soon after that we shared another awkward moment of sex education. It happened one night while I was watching TV. She and her friends were in the next room chain smoking and “gassing” when someone on TV mentioned “impotence.”
“Hey, Ma, what’s impotence?” I shouted into the room full of Catholic housewives.
Long frozen silence from the stunned women.
“Unable to perform like a man,” my mother eventually shouted in answer.
“Oh,” I shouted in return and (again) with no idea what she meant.
The World In Wax Musee was owned by one of Coney Island’s great characters, Lillie Santangelo. Caryl Chessman wasn’t the only predatory sex fiend rendered in wax in Lillie’s macabre collection. John F. Kennedy and Martin Luther King, Jr. were in there, too; along with “full moon” killers, “vampire” killers, “bathtub” killers, “screwdriver” killers and Richard Speck the sub-human filth who tortured, raped and murdered eight student nurses in Chicago. Speck escaped Chessman’s fate but unfortunately enjoyed his life in prison. He even had a half-assed sex change and acquired a set of phoney tits. These helped him attract and suck every swinging Black dick he could get his lips around.
Chessman and Speck both had scores of bleeding-heart intellectuals, rootless cosmopolitans and Hollywood champagne-socialists pleading their cases and screaming for their release. But, to no avail. Both of these pieces of utter shit died behind bars. Hehehe.
Meanwhile, back at the Wax Musee, Lillie also had an entire exhibit dedicated to Lina Medina, the world’s youngest mother, a Peruvian girl who gave birth at the age of five. The jury is still out on which of her loving male relatives raped the child.
Fast forward to 1981
I was directing an off-Broadway play and told my designer that I’d like our stage set to look and feel like the World in Wax Musee because it was the most frightening space I’d ever been in. The brutal artlessness of the exhibits made it so. Its dioramas-of-death captured a bottom-feeder, off-hand brand of sex-violence that even the film Henry: Portrait of a Serial Killer could not match.
It was the very cheapness of the materials and mannequins used that gave the murder scenes their terrible power. The ill-fitting clothes and ill-posed limbs evoked nothing of reality. Yet, it was this very absence of life, movement or any hint of reality that made the mannequins seem ready to burst into murderous life. It was the gouts of ketchup-like blood splattered on the walls and linoleum; the flickering fluorescent lights and the chicken wire that separated the viewer from the crime scenes that chilled to the bone.
There was something especially unsettling about a cheap dummy sticking a screwdriver into another cheap dummy’s neck or hiding under a female dummy’s bed. It was beyond the stuff of nightmares.
Lillie also had a Hall of Fame where you really needed a score card to tell the players apart. I suspect Lillie had only one Caucasian head mould and one Negro head mould coz Elvis looked like Harry Truman looked like John Glenn looked like Popeye. And, Muhammad Ali looked like Jackie Robinson looked like Louis Armstrong looked like Buckwheat.
Anyway… my designer visited the Musee and later cursed me for scarring her for life. While there, she spoke with Lillie who mentioned that she needed a new recorded announcement to draw a crowd but didn’t know any actors who could make one. Her budget was $10. My designer told Lillie about me and that’s how I got to spend an afternoon wandering around the World in Wax Musee (by my lonesome) gathering ideas and composing my spiel. (I have never looked over my shoulder so many times in my life!) P.S. I did the gig for free.
Lillie let me sit in her office to write my script. I noticed that she had a large ashtray on her desk filled with artificial eyes, ears and fingers that had been plucked or melted off. (I confess that I stole one of the fingers. I like to think it came from the hand of Red Foxx but it might have belonged to Hickman the Fox who kidnapped, murdered and dismembered a child in 1927.)
Lillie didn’t play my recording for long because she shut the Musee’s doors soon after my visit. (Jeez, I didn’t think I was that bad!) But, I wasn’t surprised when she called it quits. I had been there on a summer weekend and I’d had the Musee to myself for hours. Lillie had even tried throwing a few phrases of Spanish and Ebonics into her pitch in an attempt to draw in Coney’s new demographic but, alas, it was not to be. The writing was on the Musee wall.
In 1986, Lillie’s entire collection was sold at auction for a tidy sum – there has always been a lucrative market for circus and side-show collectibles. And, her Musee was second in size and importance only to Madame Tussaud’s in London! Along with the dioramas-of-death, 100 wax heads found in Lillie’s attic were also sold. The auction catalogue listed heads of Babe Ruth and Frank Sinatra. But, how could they tell? Those heads could easily have been Leopold and Loeb or Abbott and Costello.
So many of those who shaped my life are dead – dead as the airline passengers who fell to earth one Brooklyn Christmas; dead as the woman I saw speared by a falling window pole on 42nd street. Dead. And, so many of the other souls who merely touched my life – they must also surely be dead. They could not have survived their fragile, reckless lives ’til now. I want to gather them all to me and bury them all in Green-Wood Cemetery – there to find eternal rest in a plot guarded by weeping Protestant angels, ivy-covered Civil War soldiers and by me. Their graves, a stone’s throw across the street from my boyhood stoop, will be dug in the sacred soil where Washington’s troops were slaughtered and the American Revolution saved.
I will spend my final days on that stoop staring into Green-Wood, staring into eternity. I will daily tend their graves while intoning Carrie’s poem – “What is death?” Maybe one of my dead will have the answer.
Forty-five years after Carrie’s murder, I search through the New York Library’s aptly named newspaper morgue. I read everything I can find about Carrie. I scan the New York and Indiana papers for months before and after her murder. The ephemera surrounding her death distracts me. Yankee scores. African famine. Watergate. Unimportant, long-ago-bullshit.
I give all the info I find to Sergeant Tom, my photographer, and ask him to look into Carrie’s murder for me. He’s long retired but has friends in the Cold Case Squad. They owe him a favor so they look long and hard but Carrie’s case file is missing.
“Don’t worry, Tommy. It’s in there somewhere. It’s just misplaced.”
Actress slain. File missing. Presumed misplaced.
Not much of an ending. So, I can’t end here.
Maybe this way –
Still chasing her ghost, I look online for everything, anything about Carrie. I wander around her Indiana town via Google Maps. I lay a wreath on her tombstone via Find-A-Grave. (Her father was buried in that same cemetery a mere seven years after Carrie was – no doubt her killer’s second victim.)
From a Kokomo, Indiana newspaper I learn that a teenage poem of Carrie’s had been read aloud at her funeral. The title of her poem? “What Is Death?” I don’t have the answer to Carrie’s question. Maybe she does. Now. Maybe her question holds the answer to mine – “Why does her murder haunt me so?”
Online I find a long-abandoned “Question-and-Answer” thread begun by an Indiana college student who was writing a term paper about Carrie’s murder. The student posted some questions. Someone in Indiana, who claimed to have known Carrie, posted some answers.
Carrie’s body was found at 5:30 AM by a milkman. Imagine. Brooklyn still had milkmen in 1973. A tenant reported hearing something at about the time of Carrie’s murder. It wasn’t a scream or a scuffle, just a “something.” There were reports of suspicious cars seen in the area but the cops checked and dismissed that angle. Remember Carrie’s street was a Dead-End so a getaway car was unlikely. No. Carrie had been followed from the subway. The cops were sure. They questioned people who’d been on her train, “See anything strange?”
No. No one had. The murderer had probably been lurking near the subway station in Brooklyn Heights. A crime of opportunity. Of impulse.
Committed in a minute.
Carried out in a frenzy.
That was the headline.
Tell me I’m dreaming. This is a movie, right?
The Daily News and New York Post ran the story big. For a few days. Carrie’s smiley 8×10 photo filled their front pages. For a few days. A pretty someone I knew was a tabloid headline. A pretty someone whose death I foresaw. A pretty someone from Indiana. Slain. The streets of New York became a B-movie nightmare-montage in which I saw Carrie’s face everywhere. She smiled at me from every newsstand I passed and from every TV screen in every bar. I found her smile abandoned on subway seats. Discarded in trashcans. Thrown in the gutter.
Mayor Lindsay took a big interest in the case. For a few days. Crime and New York had become synonymous under his libtard administration. He appointed extra cops to the hunt and invited Carrie’s parents to stay in the Mayor’s mansion. I could give him the benefit of a doubt but I won’t. He felt guilty and obligated.
“Dear God,” Handsome John Lindsay whined to his campaign manager “not another Kitty Genovese, not on my watch, not in ‘Fun City’.”
Then the faces of other murdered girls pushed Carrie’s smile from the front pages and from memory.
I told the cop who was interrogating me that a few days after seeing Carrie walk through Needle Park in a trance, I learned that she and her roommate’s possessions had been stolen. They had packed their car for the move from tenement, roach-infested Hell’s Kitchen to toney, roach-infested Brooklyn Heights. But, they’d committed a cardinal sin. They had loaded their car full of their stuff. I imagined a portable TV with a mouse-ear aerial wrapped in aluminum foil sitting on the back seat next to a hair dryer with the cord wound around it. I saw a bag of hair curlers. I saw Earth Shoes, sandals, magazines. I saw hangers. Everything they owned safely stowed and ready for transit, the girls laughed up the stoop, through the vestibule and up the five tenement flights to check they’d left nothing behind.
I’ll bet they felt like they were in one of those “kooky girls come to New York” movies – My Sister Eileen or Breakfast at Tiffany’s. But, when they came back downstairs, their car was empty, the trunk wide-open like the maw of a hippopotamus. When I learned of this theft a dizzying dread crept up my spine. Did my hair stand on end? It may have. I know that I felt helpless against some deadly force, some irresistible undertow, some relentless riptide pulling Carrie under.