Blackout Baseball

New York Mets logo

The evening of July 13, 1977 was hot and sticky as July nights in New York City are wont to be. Vic and I were at Shea Stadium watching the Mets lose to the Cubs when BANG the lights went out. Groans, cheers and whistles from the large crowd followed immediately by jokes.  

“Hey, Mets, pay ya fuckin’ electric bill.” 

The crowd assumed it was a power failure limited to Shea. And, the stadium was able to run dim emergency lights so we weren’t left in total darkness but more of an eerie glow. Then we were told there had been a blackout in the entire city and the groans, cheers, whistles and jokes got louder.

“Hey, Mayor Beame, pay ya fuckin’ electric bill.”

Shea Stadium in New York City blackout of July 13, 1977
It actually looked much darker inside Shea.

A hardy (and hungry) few felt their way to the concession stands to stock up on beers and dogs before they got hot or cold. Others gathered around geeky fans who’d brought transistor radios to the game. (These “transistor types” looked like they’d been dressed by their mothers who invariably supplied them with sandwiches and a thermos.) The “huddled masses” around the radios looked like actors in a Radio Free Europe commercial hungry for news from the Free World. Meanwhile, the stadium announcer kept us informed and the organist kept us entertained with a Christmas carol sing along. 

Then a few cars were driven out of the bullpens on to the outfield grass with their headlights shining toward the infield. Several players from both teams took this cue and took the field to play a phantom baseball game with an invisible ball in ghost light. They made spectacular diving catches, impossible throws and gravity defying slides. The crowd went wild!  

After an hour or so and just as the fun had begun to pall (“Okay, enough of this shit, how the fuck am I gonna get home?), we were told that transportation had been arranged and we would all be home safely and soon. We were directed to buses in the Shea parking lot that were bound for major intersections all over the five boroughs where we would be able to get on the city buses that were still running. In our many thousands, we exited the stadium in better order, humor and time than we did in daylight. No pushing. No punches. No panic.  

Vic got his bus to the Bronx but I had to get to the Bowery – the scuzziest street in the slum known as the Lower East Side of Manhattan. Walking around my neighborhood was an exercise in urban survival even in bright sunshine. The idea of traversing it in blackness did not fill me with joyful anticipation. Plus, in the summer of 1977 the city had just about bottomed out. It was not a happy place and having the serial killer known as the Son of Sam picking us off at random and at night did not fill New Yorkers with confidence. But, I couldn’t sleep at Shea so I boarded a bus that took me across many blacked out Queens and Brooklyn neighborhoods then over the Verrazano Bridge to Staten Island finally dropping me at the ferry terminal. 

From there, we “happy few” ferried across a New York harbor that was in almost total blackout – the skyscrapers of Manhattan (including the World Trade Center) were barely visible. The only bright light in the harbor was the flame atop the torch on the Statue of Liberty. It was a scene out of a dystopian sci-fi movie – beautiful but unsettling. A hush fell over we passengers as the ferry plowed by Lady Liberty and that hush enveloped us until we disembarked at the Battery. There we climbed aboard city buses already waiting to take us uptown via the main avenues. 

Statue of Liberty torch and hand under construction.
Only the flame was lit and shining, the statue was in darkness.

This evacuation and transportation of the Shea Stadium multitude was handled brilliantly. Yet, I have seen it reported nowhere! We all like to complain about government inefficiency but I gotta say that in this case NYC really nailed it. I blush to admit that I felt proud of my hometown and her people. No panic. No anger. No fights. Just cooperation and jokes. Lotsa jokes. 

I got off the bus on First Avenue and praying that the Son of Sam was not lurking nearby equipped with a night scope, I began slowly picking my way toward my loft on the Bowery. (Goddamn how do blind people do it?) I made the trek slowly with only passing headlights, flashlights and candlelight from impromptu stoop parties to guide me. I declined invitations to join those parties coz I just wanted to get home. 

Georgian dinner by candlelight.
Stoop soirée in full swing.

I did have to navigate through a few stretches of inky blackness and, this being the Bowery, I had to be careful not to trip over bums sleeping on the street. Plus, a few overly friendly creeps loomed up at me from the murk hoping to give or receive a blowjob. But, WHEW, made it home!

Bowery bum sleeping in door way
Blacked out in a blackout

A TALE OF TWO CITIES

The next morning, I went for a walk around my still powerless neighborhood where the stores and restaurants were practically giving food away. It wasn’t until late that afternoon, when power was restored, that I learned there had been widespread looting and arson in certain neighborhoods.  (Ya want numbers? – $1.2 BILLION worth of damage in 2019 dollars. 3,700 arrests – the largest number of mass arrests in NYC history!)   

Arson in the Bronx, NYC blackout of Jul 1977
Burn Baby Burn!

Since 1977, the narrative about the blackout has been all about excusing those crimes with nary a mention of the cooperation. Perhaps this is because that cooperation seemed restricted to certain other neighborhoods. The spin has been that the crimes were caused by racism. The blackout has been turned into yet another tale of poor Blacks being victimized by evil Whitey.

Looted store in NYC blackout of 1977.
Have you noticed that book stores never get looted?

Apparently, power failures are just another aspect of White privilege and the patriarchy. Apparently, it was my fault that Blacks looted and torched stores, restaurants and even their own apartment houses. It’s over forty years later and I have yet to see, hear or read a single account of the blackout (including many by foreign news sources such as the BBC) that doesn’t push this anti-White race-hustle bullshit.  

The awful truth is that when the lights went out on July 13, 1977 some New Yorkers went feral. 

The awful truth is that when the lights went out on July 13, 1977 some New Yorkers went festive.   

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
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World In Wax

World In Wax Musee in Coney Island, Brooklyn
The scene of the crimes

It was the summer of 1960 and my family was walking past Coney Island’s World in Wax Musee when the barker shouted out, “See the rapist Caryl Chessman in the gas chamber!” 

“What’s a rapist?” I innocently asked my mother.  

“Uh… ummm… a man who forces himself on a woman,” she flustered.  

“Oh,” I replied with no idea of what she meant. 

Soon after that we shared another awkward moment of sex education. It happened one night while I was watching TV. She and her friends were in the next room chain smoking and “gassing” when someone on TV mentioned “impotence.” 

“Hey, Ma, what’s impotence?” I shouted into the room full of Catholic housewives.  

Long frozen silence from the stunned women.

“Unable to perform like a man,” my mother eventually shouted in answer.  

“Oh,” I shouted in return and (again) with no idea what she meant. 

Caryl Chessman in a wax museum gas chamber.
Caryl Chessman, darling of the liberal intelligentsia,
as I like to remember him.

The World In Wax Musee was owned by one of Coney Island’s great characters, Lillie Santangelo. Caryl Chessman wasn’t the only predatory sex fiend rendered in wax in Lillie’s macabre collection. John F. Kennedy and Martin Luther King, Jr. were in there, too; along with “full moon” killers, “vampire” killers, “bathtub” killers, “screwdriver” killers and Richard Speck the sub-human filth who tortured, raped and murdered eight student nurses in Chicago. Speck escaped Chessman’s fate but unfortunately enjoyed his life in prison. He even had a half-assed sex change and acquired a set of phoney tits. These helped him attract and suck every swinging Black dick he could get his lips around. 

Richard Speck – isn’t she lovely?
Unrepentant to his/her/its grave.

Chessman and Speck both had scores of bleeding-heart intellectuals, rootless cosmopolitans and Hollywood champagne-socialists pleading their cases and screaming for their release. But, to no avail. Both of these pieces of utter shit died behind bars. Hehehe. 

Richard Speck attacking nurse in Coney Island wax museum.
“Please let me out. I promise not to do it again.”

Meanwhile, back at the Wax Musee, Lillie also had an entire exhibit dedicated to Lina Medina, the world’s youngest mother, a Peruvian girl who gave birth at the age of five. The jury is still out on which of her loving male relatives raped the child.  

Lina Medina
I’ll bet my mother was relieved I didn’t ask her how
a little girl of five could have a baby.

Fast forward to 1981

I was directing an off-Broadway play and told my designer that I’d like our stage set to look and feel like the World in Wax Musee because it was the most frightening space I’d ever been in. The brutal artlessness of the exhibits made it so. Its dioramas-of-death captured a bottom-feeder, off-hand brand of sex-violence that even the film Henry: Portrait of a Serial Killer could not match. 

It was the very cheapness of the materials and mannequins used that gave the murder scenes their terrible power. The ill-fitting clothes and ill-posed limbs evoked nothing of reality. Yet, it was this very absence of life, movement or any hint of reality that made the mannequins seem ready to burst into murderous life. It was the gouts of ketchup-like blood splattered on the walls and linoleum; the flickering fluorescent lights and the chicken wire that separated the viewer from the crime scenes that chilled to the bone.  

There was something especially unsettling about a cheap dummy sticking a screwdriver into another cheap dummy’s neck or hiding under a female dummy’s bed. It was beyond the stuff of nightmares. 

Bloody wax head

Lillie also had a Hall of Fame where you really needed a score card to tell the players apart. I suspect Lillie had only one Caucasian head mould and one Negro head mould coz Elvis looked like Harry Truman looked like John Glenn looked like Popeye. And, Muhammad Ali looked like Jackie Robinson looked like Louis Armstrong looked like Buckwheat.

Don’t tell me… James Dean. No, Harry Truman. Wait, got it… LBJ.

Anyway… my designer visited the Musee and later cursed me for scarring her for life. While there, she spoke with Lillie who mentioned that she needed a new recorded announcement to draw a crowd but didn’t know any actors who could make one. Her budget was $10. My designer told Lillie about me and that’s how I got to spend an afternoon wandering around the World in Wax Musee (by my lonesome) gathering ideas and composing my spiel. (I have never looked over my shoulder so many times in my life!) P.S. I did the gig for free.

Lillie let me sit in her office to write my script. I noticed that she had a large ashtray on her desk filled with artificial eyes, ears and fingers that had been plucked or melted off. (I confess that I stole one of the fingers. I like to think it came from the hand of Red Foxx but it might have belonged to Hickman the Fox who kidnapped, murdered and dismembered a child in 1927.) 

Hickman the Fox in a Coney Island wax museum.
Note the exquisite craftsmanship.
The verisimilitude.

Lillie didn’t play my recording for long because she shut the Musee’s doors soon after my visit. (Jeez, I didn’t think I was that bad!) But, I wasn’t surprised when she cIosed. I had been there on a summer weekend and I’d had the Musee to myself for hours. Lillie had even tried throwing a few phrases of Spanish and Ebonics into her pitch in an attempt to draw in Coney’s new demographic but, alas, it was not to be. The writing was on the Musee wall.   

In 1986, Lillie’s entire collection was sold at auction for a tidy sum – there has always been a lucrative market for circus and side show collectibles. And, her Musee was second in size and importance only to Madame Tussaud’s in London! Along with the dioramas-of-death, 100 wax heads found in Lillie’s attic were also sold. The auction catalogue listed heads of Babe Ruth and Frank Sinatra. But, how could they tell?  Those heads could easily have been Leopold and Loeb or Abbott and Costello.

Boy outa Brooklyn a murder-memoir by Jack Antonio
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
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amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

Fuckin’ “A ” Bomb

Newspaper headline: Truman says Russia set off atom blast
“Bring it on, ya commie creeps, ya!

On the stoops of 1950s Brooklyn, the subjects debated included sex, race, sex, religion, sex, baseball, sex, politics, sex and the price of pork bellies on the Chicago Mercantile Exchange. But, once the Russkies got the “H” Bomb and thus trumped our “A” Bomb the most hotly debated topic was nuclear proliferation – 

“Lissen kid, when World War Three breaks out, Brooklyn goes first.” 

“How come?” I gulped.  

“How come? Ya kiddin’ me? The Navy Yard!” 

Aerial view of the Brooklyn Navy yard
What ya call your “WW2” was won right here?
Ya got a problem wit dat?

Now, it must be said that the Brooklyn Navy Yard played a major, nay, indispensable role in the victory of World War Two. Brooklyn was/is justly proud of its contribution. But, with hindsight and considerable regret, I confess I’m not convinced that by 1955 Brooklyn would have been #1 on Moscow’s hit list. In 1945? You bet yer ass. 1955? Mmm… maybe not. 

Brooklyn Bridge after nuclear attack
As long as “trendy” Brooklyn goes first, I’ll take it.

Today, I would consider it a boon to humanity if Moscow nuked Brooklyn. I long to see its galleries of ironic art incinerated; its ubiquitous nannies and au pairs obliterated; the yummy mummies who employ them turned to dust; the metrosexual soyboys of Williamsburg and Bushwick reduced to atoms and Brooklyn’s stoops and vestibules left standing naked against the angry sky – the buildings to which they’d been attached blown all the way to Canarsie. Then, out of the rubble, tiny antennae will feel, push and emerge as King Cockroach reclaims the county of Kings.

children hiding under school desks in 1950s nuclear drill
Hey, commies, duck & cover this!

Like most kids in Cold War Brooklyn, I spent a considerable amount of time cowering inside a “fallout shelter” i.e. stuffed under my school desk. Our nuns at St. John the Pederast School took these survival drills deadly seriously. They demanded fingers on lips and hands on rosary beads until the all clear. (These sirens were a major part of the soundscape of my Brooklyn childhood but, for the life of me, I can’t remember when their blaring stopped.)

In October of 1962, during the darkest days of the Cuban Missile Crisis, I was only twelve but already a political junkie so I was understandably scared shitless.  The morning after JFK’s famous speech to the nation when nuclear holocaust seemed moments away, my mother called her six children into the kitchen and explained that we might not ever see each other again but that we shouldn’t worry coz we’d all be “going together in a flash” – she at home, we at school and our father in his Wall Street office. Then in the throaty melodramatic tone she’d learned as a wannabe actress, she read a poem to us. It described New York City under nuclear attack. I found the description of the waters of New York harbor flooding into the canyons of Wall Street particularly harrowing and was glad that my father worked on a high floor there. Then I crawled to school sure that I’d never see lunch again let alone my siblings. I took some solace in the fact that the Yankees had just beaten the Giants in the World Series and would (like Cagney in White Heat) go out “top of the world, Ma!”  

New York City ablaze after nuclear attack
There goes the Navy Yard.
Oh well, looks like Bayonne is safe!

I’ve since learned that the world wasn’t as close to nuclear Armageddon as I thought at the time. Various back channel assets and deep state actors on both sides of the standoff had agreed to not blow each other to smithereens. So, as JFK and Khrushchev blustered and bluffed, the fate of the world had already been taken from their hands, sealed and saved.

Oh sure, now ya tell me! Thanks a fuckin’ lot.

Boy Outa Brooklyn a murder-memoir by Jack Antonio
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
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And as an eBook here
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Greek (Diner) Tragedy

Greek restaurant take-away coffee cup
A New York City icon!

I lived in New York City at a time when every intersection had a Greek diner. I don’t mean diners that sold only Greek food but corner joints run by Greeks. Their sticky, multi-paged, plastic-coated menus offered everything from sushi and spaghetti to souvlaki. And, all of it was on tap 24/7.

I was addicted to their toasted blueberry muffins that were the size of coconuts. A cup of coffee with a “toasted blue” was my snack of choice and, in hard times, my one meal of the day. So, I was saddened on a recent trip back home to discover that most of the Greek joints had gone. Some of the owners had made their money and happily returned to Greece but most had been priced out by the big coffee chains. (Another good reason to hate Starbucks though the brown piss they call coffee is reason enough!)    

Toasted blueberry muffin
Toasted ambrosia!

One blah night in the 1980s, I was sitting at the counter of my favorite Greek diner in the Village, reading the NY Post and cursing George Steinbrenner when I became aware that the man on the stool next to me was acting strangely. He was making little grunts and moving in a herky-jerky manner. I figured he was a junkie who’d missed his shot. So, I signaled to Nicos that I’d take my toasted blue further down the counter. Just then my counter colleague jerked into my arms in a way that forced me to hold him. As we fell backwards off our stools, he went into full spasm and I somehow knew I had an epileptic seizure on my hands. Literally!  

Classic NYC diner counter
Picture us wrestling in the middle of the floor.

I laid him out on the floor and looked up for help but the entire restaurant (customer and staff alike) had gone into catatonic shock. Those at the counter stared down at me like I was an annoying cockroach scurrying about their feet. Those in booths slowly leaned out until they were at a 90-degree angle with the floor and there they remained. Silent. Staring. Slightly inquisitive. Imagine the RCA Victor dog.  

Meanwhile, the epileptic was flopping around on the floor like a tuna that had been hauled on-board a Sheepshead Bay trawler. I knew less than nothing about the care and feeding of epileptics aside from the fact that you should never get your fingers in an epileptic’s mouth lest your fingers be chomped off. But, silly me, as I looked to my fellow diners for help and began to say something to the effect of, “Hey, does anybody wanna give me a fuckin’ hand here?” My fuckin’ hand got into the epileptic’s mouth.

Bloody hand dangling from alligator's mouth.
I had to act and fast!

As you can imagine, this dilemma increased the fervor of my calls for help. But, to no avail. I considered making like a coyote and chewing my hand off to escape the trap. I considered choking the epileptic to death to gain my freedom. I knew what I did next was risky but I was running out of time and about to be running out of fingers. I managed to get my other hand into the poor bastard’s mouth and pry his jaws apart before they snapped shut fracturing several bicuspids. 

Then, out of nowhere, a typically obese ambulance crew waddled in. I’m not sure if they’d been alerted and were waddling in to answer the call of “diner down” or if they were coincidentally waddling in for their moussaka with fries. I returned to the counter and Nicos gave me some ice for my fingers but the prick still charged me for my toasted blue! 

Fast forward maybe two years.

I’m watching an off-Broadway play in which one character delivers a show-stopping speech about the time he was in a Greek diner and a schmuck got his fingers stuck in an epileptic’s mouth. The actor brought the house down with his mime of the booth-sitters leaning out at a 90-degree angle and staring at the schmuck. That would be me. You guessed it. This playwright had been one of the selfish, frozen assholes who made not a move to help the epileptic or, more importantly, your reporter. Worse. This creep who had plagiarized my pain hadn’t given me an audition for his play.

As the quintessential Brooklyn boy, Ralph Kramden would say, “Bang! Zoom!”

Boy Outa Brooklyn a murder-memoir by Jack Antonio
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
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And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

Roadmap to Blog Outa Brooklyn

Thanks for visiting my blog. It is a sampler of my murder-memoir Boy Outa Brooklyn. The best way to enjoy it is to start at the first post and read chronologically. I hope you’ll find it both hilarious and horrifying.

I will also be posting about the best books, movies and songs about Brooklyn. And, sharing my practical and off-beat travel tips. If you enjoy my blog, please follow me. Hover your mouse in the lower right corner of the screen and a pop-up box will appear. Enter your email address and you’ll never miss one of my posts. Your address will not be sold or shared and you won’t be pestered with any sales cons.

Welcome to my Brooklyn,

Jack Antonio

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Puttin’ on the Ritz

Poster for Putin on the Ritz with Fred  Astaire

Okay, so it was the mid-1970s and I was acting in a play in Indianapolis which is in mid-Indiana. Always looking to pick up some spare change, I auditioned for a commercial slated for local TV. Make that slated for “late-night TV.” Make that “low-budget TV.” Very low budget. The ad was for a local tuxedo rental joint. Let’s call it PUTTIN’ ON THE RITZ. All tuxedo rental joints in America are called PUTTIN’ ON THE RITZ, or TOP HAT. It’s the law. 

I got the gig coz I was a size 38 regular so any tux off the rack would fit me. And, funnily enough, the ad called for me to wear 38 different tuxedos while reciting the same spiel 38 times and using identical vocal inflections and identical hand gestures.

“Hey, come on down to PUTTIN‘ ON THE RITZ and we’ll put a ritzy tuxedo on you!”

Then thanks to “state of the art” circa-1975 video editing, it appeared that all 38 tuxes changed on my body as if by magic. (Stanley Kubrick eat your heart out!) 

1970s pink tuxedo
Right color, wrong fabric.

Now, mind you, this was the mid-1970s aka the decade style forgot. (Do you remember that unfortunate 1940s fashion revival, or the dreadful Liza Minnelli in Cabaret look? Or, how ‘bout those “street urchin, shoe shine boy” get-ups? What the fuck were people thinking?)  So, true to the fashion zeitgeist, all 38 tuxes were made of crushed velvet. (It gets worse.) Crushed velvet in lime green, shocking pink, powder blue, canary yellow and zebra stripes. (Wait, there’s more.) The cut of the jacket, ruffled shirt and massive bow tie suggested a Mississippi River boat gambler. Sort of Yancey Derringer on a bad day. 

1970s yellow tuxedo jacket
The cut is close but where’s the crushed velvet?
1970s plaid tuxedo jacket
Again, close but no cigar. No crushed velvet either!

The owner of the shop was nervously watching the shoot and the clock. But, I was a fast line learner and more importantly a fast clothes changer so he took a liking to me. While adjusting one especially vomitus jacket on my person, he confided in reverent, hushed tone, “Jackie Boy, this is our most popular cut. We call it the Tony Orlando.”    

album cover for The Best of Tony Orlando & Dawn
From Fred Astaire to Tony Orlando. And, you tell me, over and over and over again, you don’t believe we’re on the eve of destruction.

Being seen on TV, even just late-night, local TV, made me a local celebrity. All the decrepit old ladies living in the decrepit old apartment building we actors called home treated me like I was a movie star and argued over whether I was more handsome in blushing peach or midnight purple. 

And, the married couples who made up most of our audiences were also ritzy dressers. They favored the matching he/she leisure suits that were then all the rage; matching leisure suits in lime green, shocking pink, powder blue, canary yellow, blushing peach, midnight purple and (yes) zebra stripes. Anytime I had to look directly at the audience, I put on welder’s goggles!

Vintage 1970s ad for leisure suits
The leisure suits came in crushed velvet, too.
Available at J.C. Penney and Sears.

Ahhh, the 1970s in America! ya had to be there!

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Moon Over Bensonhurst

Give Me The Moon Over Brooklyn by Jason Matthews and Terry Shand

During and just after World War Two, Brooklyn became America’s surrogate home town. In the war movies, every tank and submarine crew included a much-loved, wise-crackin’, skirt chasin’ guy from Flatbush. The comic Phil Foster carried this tradition into outer space as the most unlikely astronaut in history. In the 1955 low-budge flick Conquest of Space, “Flatbush Phil” stares out the space ship porthole as it circles the Earth and shouts, “Hey, deres Brooklyn. How ‘re da Dodgers doin’?”

Film poster for Conquest of Space (1955)

I think Brooklyn’s much loved and easily imitated Brooklynese accent helped make the borough a shared joke that bonded military units and the folks back home. Do you remember when anytime someone announced on a radio or TV program that they were from Brooklyn the audience would break into instant laughter and applause? I’m not sure anyone even knew why they did that. But, it might have been down to a shared folk memory. After all, this was a time when 1-in-4 Americans could trace their family back to Brooklyn! (Probably 3-in-4 wanted to chase them back there!)

Meanwhile, the tunesmiths of Tin Pan Alley, always on the lookout for a hit, mined the instant folksiness, humor and sentimentality of Brooklyn. Whipping out their “June – Moon” rhyming dictionary they produced delightful ditties like Give Me The Moon Over Brooklyn by Matthews & Shand. (Believe it or not, Guy Lombardo did a very catchy version of it.) And, Same Moon Shines In Brooklyn by Felsen & Peters.

Welcome to Brooklyn - 4th largest city in America.
Hey, whataya talkin’ about? It’s the THIRD largest!

Another sweet, nostalgic tune is In Brooklyn by John Benson Brooks and Stanley Adams. Benson Brooks later composed the brilliant jazz-blues piece Alabama Concerto. Adams wrote lyrics for Hoagy Carmichael and Visitor Herbert. All the songs mentioned were written in the midst or the shadow of WW2.

45rpm cover for Brooklyn Roads by Neil Diamond
The Brill Building does Brooklyn

The centre of pop music songwriting in New York moved uptown from Tin Pan Alley on W. 28th st. to midtown’s Brill Building. But, so many of the composers and lyricists who worked there were from Brooklyn that it should have been called the Brooklyn Building. Just read the list below and you’ll see that the “Sound of Brooklyn” became the “Sound of America.”

Neil Diamond, Carole King, Gerry Goffin, Hal David, Howard Greenfield, Neil Sedaka, Mort Shuman, Doc Pomus, Barry Mann.

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
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amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

It Happened In Brooklyn

Moby card for the film It Happened In Brooklyn
Sweet movie. Sweet tune.

Brooklyn and her bridge have been featured in countless movies, stories and songs. My favorite song about the bridge was written for Sinatra in the 1947 MGM musical It Happened In Brooklyn. It was penned by the legendary team of lyricist Sammy Cahn and composer June Styne.

Their lilting tune and snappy, slightly sentimental lyrics effortlessly capture the look and feel of the bridge and the city. Here’s a taste of Cahn’s lyrics :

If you’ve been a rover
Journey’s end lies over the Brooklyn Bridge
Don’t let no one tell you
I’ve been tryin’ to sell you the Brooklyn Bridge

Mel Tormé Sings Sunday In New York & other songs about New York
The Velvet Fog covers New York

My favorite recording of Brooklyn Bridge is by Mel Tormé. (It was later sampled for a duet with Barry Manilow!) I came to appreciate Mel Tormé late in life. I’d dismissed him as just another finger-snapping lounge-lizard. How wrong I was! The man was a musical genius. Don’t believe me? Listen to his arrangements and vocals with the Mel-Tones. Get a hold of his original California Suite and his several albums with the brilliant arranger Marty Paich. If you enjoy pop, jazz, Tin Pan Alley, show tunes, swinging jazz and vocal harmony groups then you are in for a treat.

A great place to start is Mel Tormé Sings Sunday In New York. Come to think of it, that’s another under-rated song about New York! Cute movie, too!

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as an eBook and paperback
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amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

The Brooklyn Bridge

Vintage postcard of The Brooklyn Bridge

The Brooklyn Bridge is best experienced from a distance. Walking across it is a noisy, dangerous slog. As the cars speed over the traffic lanes made of metal grates, they make a helluva racket. And, the aggressive, gluten-free cyclists take no prisoners. But, viewed from the Brooklyn Heights Promenade, especially at twilight, the Brooklyn Bridge is one of the most beautiful structures in the world.

Another great way to see the bridge is from below via the Wall Street Ferry which runs from the foot of Wall Street to Greenpoint, Red Hook and beyond. The ferry travels right below the bridge and affords a fantastic view of lower Manhattan. It costs the same as a subway ride!

Board the ferry headed to trendy Red Hook where you can find a few bars and shops worth a quick stop. Then cross busy Hamilton Avenue into bucolic Carroll Gardens famous for its brownstones with front gardens and Italian flavor. Then walk down Henry Street or Clinton Street thru Cobble Hill and into Brooklyn Heights. Check guide books for houses of note and restaurants en route. Sit and stroll on the Promenade and enjoy the spectacular view of the Brooklyn Bridge. Then catch a subway back to your hotel or home.

Be sure to meander up and down the streets of Carroll Gardens, Cobble Hill and Brooklyn Heights. Follow your nose. You can’t get lost. They are among the most gorgeous neighborhoods in the world!

Vintage postcard of the John A. Roebling Suspension Bridge in Cincinnati, Ohio.
Beautiful but not as majestic as the Brooklyn Bridge

John A. Roebling who designed the Brooklyn Bridge built an earlier, similar version of it in Cincinnati. That bridge spans the Ohio River between the stadiums where the Reds and Bengals play. I had never heard about this bridge so when I first saw it in person, I felt as though I’d fallen into an alternate-universe, Brooklyn Bridge Twi-light Zone.

Boy Outa Brooklyn a murder-memoir by Jack Antonio 
Image: the smiling face of Steeplechase Park in Coney Island, Brooklyn
Available as a paperback and ebook
amazon.com
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn
 

Famous Boys and Girls Outa Brooklyn

Al Capone
Al Capone became notorious in Chicago where he was really just a bagman for Meyer Lansky. He got his start breaking legs in Red Hook, South Brooklyn

Brooklyn has 2.6 million people. Were it an independent city (which it was until the late 19th century), Brooklyn would be the third largest city in America after L.A. and Chicago! So, it’s not surprising that a lot of famous folk in all walks of life come from Brooklyn.

You can see a more complete list of notable Brooklynites elsewhere. When I read those lists I wonder if there’s anyone who isn’t from Brooklyn. In fact, it’s said that 25% of Americans have roots in Brooklyn.

Anyway, in no particular order, here’s my list of, “Gee, I didn’t know he/she was from Brooklyn.”

BROOKLYN BOYS

Carl Sagan, Bugsy Siegel, Joe Paterno, Vince Lombardy, Sandy Koufax, Joe Torre, Wolfman Jack, Arlo Guthrie, Michael Jordan, Mickey Rooney, Harry Nilsson, Chuck Connors, Matt Damon, Danny DeVito, Bobby Fischer, Bob Guccione, Edward Everett Horton, Arthur Miller, Norman Mailer, Moe, Curly and Shemp Howard aka The 3 Stooges (Larry Fine was from Philly but I hearby pronounce him an Honorary Brooklyn Boy.)

Mae West
Mae West – the Queen of Quips
She and Henry Miller – two of America’s greatest sexual-taboo breakers were contemporaries in Brooklyn.

BROOKLYN GIRLS

Clara Bow – the It Girl of silent films. They say her thick Brooklyn accent made her move into talking pictures impossible. But, I’ve seen one of her talkies and she was terrific. Go know.

Margaret Dumont – the very un-Brooklyn seeming society matron in the Marx Brothers films. She and Edward Everett Horton are excellent examples of early 20th century posh-New York speech. They almost sound British.

Jennie Jerome – Winston Churchill’s mother. She lived in Cobble Hill.

Other Queens of Kings County include – Ruth Bader Ginsburg, Debbie Gibson, Rita Hayworth, Barbara Stanwyck, Lena Horne, Priscilla Presley and Mary Tyler Moore.

Boy Outa Brooklyn a murder-memoir by Jack Antonio
Image: the smiling face of Steeplechase park in Coney Island, Brooklyn
Available as an ebook and paperback
amazon.com
amazon.co.uk
And as an eBook here
https://books2read.com/The-Boy-Outa-Brooklyn